The rich, multicultural heritage of San Antonio and the Texas Hill Country provide the backdrop for this first comprehensive guide to the culturally significant vernacular buildings of this diverse and historic region: structures designed and constructed by the people who used them rather than by professional architects or builders. A valuable, easy-to-use resource for heritage travelers, historic preservationists, and local historians, A Field Guide to the Vernacular Buildings of the San Antonio Area pairs incisive interpretive essays with detailed building descriptions, photographs, and architectural renderings. Featuring contributions from noted architectural historians and preservationists including Ken Hafertepe, Lewis Fisher, Maria Pfeiffer, and Sarah Z. Gould, this handy, generously illustrated guide will not only provide context and insight for understanding the importance of these buildings but will also engage readers with the challenges of preserving our cultural heritage as represented in the built environment. Professional and avocational preservationists, along with interested travelers and general readers, will appreciate the thorough discussion and analysis of such well-known sites as the San Antonio Riverwalk, the San Antonio missions, and the public buildings of the historic Westside district. Reaching beyond the immediate vicinity of San Antonio, the book also offers expert commentary on the German settlements in Central Texas and east of San Antonio, providing an inclusive and inviting survey of how settlers of various origins placed their unique imprints on Texas.

Spectacular Modern Homes of Texas is the newest installment in Signature's spectacular book series. Brimming with beautiful photography and dreamy design, this book has something for everyone's taste and style. Showcasing a wide variety of approaches to modern design, readers will get a tour inside private homes designed by Texas' top interior designers and architects. Get a first class tour inside Texas most unique and stunning homes such as a posh Austin penthouse, a vertical glass house in Dallas, and a sprawling Hill Country estate with a historic farmhouse exterior and cutting edge modern interiors. Totally unique, just like the state of Texas, this book will stir the designer in you and be a beautiful decor piece on your coffee table. You've never seen Texas look so good.

This lavishly-illustrated book is the definitive guide and reference work for the 100-block Monte Vista National Historic District, two miles north of downtown San Antonio. It includes 139 illustrations (some in color), maps, notes, bibliography and both a general index and an index of architects and their works. Monte Vista survives nearly intact from the city's Gilded Age--1890 to 1930--when newly-prosperous residents built the finest neighborhood of the era remaining in Texas. The district's vintage homes, both elaborate and modest, were designed by more than two dozen distinguished architects in an unusual variety of styles, from Queen Anne to Prairie to Tudor to Spanish Colonial Revival. In addition to describing the finest landmark homes block by block, San Antonio's Monte Vista deals with the dynamics of developers and the lifestyles of original residents, and of their servants as well.

With 36 full-color photographs and 124 black-and-white pictures, this volume lavishly illustrates his vision and his legacy.

In this contribution to the ongoing debates over theorizing state power, the author draws on her fieldwork in Mexico to examine the ways in which local agrarian communities negotiate with the state and with local bureaucracies in an apparently hopeless round of mismanagement and corruption - which yet contains a self-correcting stability. While the ethnography focuses on a particular community at a time of transition, the author draws out the wider implications in ways that should be of interest not only to anthropologists concerned with Mexican ethnography, but also to students of political anthropology, more generally, and development studies.

During the three decades Coote examines, Ayres designed nearly two hundred homes in the fashionable San Antonio suburbs of Monte Vista, Olmos Park, and Terrell Hills, homes that even now rank among the most charming in the area.".

Written in an accessible style, Henry's work places Texas architecture in the wider context of American architectural history by tracing the development of building in the state from late Victorian styles, and the rise of neoclassicism, to the advent of the International Style.... His work provides a welter of new facts, both about the era's buildings and the architects who designed them, and he has catalogued and described most of the important landmarks of the period. -- Southwestern Historical Quarterly ., .a significant contribution to the study of Texas architecture.... -- Drury Blakeley Alexander, author of Texas Homes of the Nineteenth Century Texas architecture of the twentieth century encompasses a wide range of building styles, from an internationally inspired modernism to the Spanish Colonial Revival that recalls Texas' earliest European heritage. This book is the first comprehensive survey of Texas architecture of the first half of the twentieth century. More than just a catalog of buildings and styles, the book is a social history of Texas architecture. Jay C. Henry discusses and illustrates buildings from around the state, drawing a majority of his examples from the ten to twelve largest cities and from the work of major architects and firms, including C. H. Page and Brother, Trost and Trost, Lang and Witchell, Sanguinet and Staats, Atlee B. and Robert M. Ayres, David Williams, and O'Neil Ford. The majority of buildings he considers are public ones, but a separate chapter traces the evolution of private housing from late-Victorian styles through the regional and international modernism of the 1930s. Nearly 400 black-and-white photographs complement thetext. Written to be accessible to general readers interested in architecture, as well as to architectural professionals, this work shows how Texas both participated in and differed from prevailing American architectural traditions.