Strawberry-sized sleuths Poppy and Sam are back on the case!

Amy and Tiffany are having a picnic. However, ants keep ruining their lunch. Where can they go to eat their food?

An irresistible novel from Guardian-award-winning novelist, Jenny Valentine.

Hope is hard to come by in the hard-luck town of Willow Creek. Sam Pickett and five young men are about to change that. Sam Pickett never expected to settle in this dried-up shell of a town on the western edge of the world. He's come here to hide from the violence and madness that have shattered his life, but what he finds is what he least expects. There's a spirit that endures in Willow Creek, Montana. It seems that every inhabitant of this forgotten outpost has a story, a reason for taking a detour to this place--or a reason for staying. As the coach of the hapless high school basketball team (zero wins, ninety-three losses), Sam can't help but be moved by the bravery he witnesses in the everyday lives of people--including his own young players--bearing their sorrows and broken dreams. How do they carry on, believing in a future that seems to be based on the flimsiest of promises? Drawing on the strength of the boys on the team, sharing the hope they display despite insurmountable odds, Sam finally begins to see a future worth living. Author Stanley Gordon West has filled the town of Willow Creek with characters so vividly cast that they become real as relatives, and their stories--so full of humor and passion, loss and determination--illuminate a path into the human heart.

In the great naturalist tradition of E. O. Wilson, Jae Choe takes readers into a miniature world dominated by six-legged organisms. This is the world of the ant, an insect that humans, as well as most other life forms, depend upon for their very survival. Easily one of the most important animals on earth, ants seem to mirror the actions, emotions, and industries of the human population, often more effectively than humans do themselves. They developed ranching and farming long before humans, and their division of labor resembles the assembly lines of automobile factories and multinational enterprises. Self-sacrifice and a finely tuned chemical language are the foundations of their monarchical society, which is capable of waging large-scale warfare and taking slaves. Tales of their massacres and atrocities, as well as struggles for power, are all too reminiscent of our own. The reality of ant society is more fascinating than even the most creative minds could imagine. Choe combines expert scientific knowledge with a real passion for these miniscule marvels. His vivid descriptions are paired with captivating illustrations and photographs to introduce readers to the economics, culture, and intrigue of the ant world. All of nature is revealed through the secret lives of the amazing ants. In the words of the author, “Once you get to know them, you’ll love them.”

The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.