24-26 June 2013, 130 leading international policy makers, scientists, experts and others met at an international workshop in Gothenburg, Sweden, in order to discuss and outline future directions in air pollution science and policy. The workshop, which was organised in close collaboration with the Convention on Long-range Transboundary Air Pollution and the European Commission, involved several themes such as linkages to climate change including SLCP, nitrogen, global governance and effects to health and environment. The output is a series of recommendations for further actions with respect to effects to health, ecosystems and near-term climate actions. Recommendations were also given with respect to heavy metals and POPs. The recommendations are directed towards several international organisations and initiatives such as CLRTAP, European Commission, Climate and Clean Air Coalition and the Arctic Council.

A comprehensive overview of treaty implementation and compliance concerning transboundary environmental governance in Asia is provided in this timely book. Recent United Nations Economic Commission for Europe (UNECE) membership by Asian states in the C

Available online: https://pub.norden.org/temanord2023-529/ The world is under pressure. In recent times we have seen increased threats to nature, health and welfare, and society as a whole. With more than 7 million premature deaths annually and far more people suffering from poor air quality, air pollution is a global threat. The numbers are increasing and the earlier assumption that there are safe levels of air pollution is losing credibility. However, initiatives to reduce air pollution around the world are under way, and more initiatives can be added. To clarify needs for further initiatives, the Saltsjöbaden VII workshop held six main discussions with the overarching objective of clarifying if and how international science and policy cooperation can accelerate the transition to a world with less air pollution. Conclusions and recommendations from the discussions can be found in the report Air Pollution Management in a World under Pressure.

Concepts and their role in the evolution of modern environmental policy, with case studies of eleven influential concepts ranging from “environment” to “sustainable consumption.” Concepts are thought categories through which we apprehend the world; they enable, but also constrain, reasoning and debate and serve as building blocks for more elaborate arguments. This book traces the links between conceptual innovation in the environmental sphere and the evolution of environmental policy and discourse. It offers both a broad framework for examining the emergence, evolution, and effects of policy concepts and a detailed analysis of eleven influential environmental concepts. In recent decades, conceptual evolution has been particularly notable in environmental governance, as new problems have emerged and as environmental issues have increasingly intersected with other areas. “Biodiversity,” for example, was unheard of until the late 1980s; “negative carbon emissions” only came into being over the last few years. After a review of concepts and their use in environmental argument, chapters chart the trajectories of a range of environmental concepts: environment, sustainable development, biodiversity, environmental assessment, critical loads, adaptive management, green economy, environmental risk, environmental security, environmental justice, and sustainable consumption. The book provides a valuable resource for scholars and policy makers and also offers a novel introduction to the environmental policy field through the evolution of its conceptual categories. Contributors Richard N. L. Andrews, Karin Bäckstrand, Karen Baehler, Daniel J. Fiorino, Yrjö Haila, Michael E. Kraft, Oluf Langhelle, Judith A. Layzer, James Meadowcroft, Alexis Schulman, Johannes Stripple, Philip J. Vergragt

The story of the experimental zeitgeist in Eastern European art, seen through personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. Throughout the 1970s, a network of artists emerged to bridge the East-West divide, and the no less rigid divides between the countries of the Eastern bloc. Originating with a series of creative initiatives by artists, art historians, and critics and centered in places like Budapest, Poznań, and Prague, this experimental dialogue involved Western participation but is today largely forgotten in the West. In Networking the Bloc, Klara Kemp-Welch vividly recaptures this lost chapter of art history, documenting an elaborate web of artistic connectivity that came about through a series of personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. Countering the conventional Cold War narrative of Eastern bloc isolation, Kemp-Welch shows how artistic ideas were relayed among like-minded artists across ideological boundaries and national frontiers. Much of the work created was collaborative, and personal encounters were at its heart. Drawing on archival documents and interviews with participants, Kemp-Welch focuses on the exchanges and projects themselves rather than the personalities involved. Each of the projects she examines relied for its realization on a network of contributors. She looks first at the mobilization of the network, from 1964 to 1972, exploring five pioneering cases: a friendship between a Slovak artist and a French critic, an artistic credo, an exhibition, a conceptual proposition, and a book. She then charts a series of way stations for experimental art from the Soviet bloc between 1972 and 1976—points of distribution between studios, private homes, galleries, and certain cities. Finally, she investigates convergences—a succession of shared exhibitions and events in the second half of the 1970s in locations ranging from Prague to Milan to Moscow. Networking the Bloc, Kemp-Welch invites us to rethink the art of the late Cold War period from Eastern European perspectives.