Translations of Shakuntala and Other Works by Kalidasa: Translations of Shakuntala and Other Works introduces readers to the captivating world of classical Sanskrit literature through the works of Kalidasa, one of the greatest poets and playwrights of ancient India. The book presents English translations of Kalidasa's renowned works, offering a glimpse into the rich cultural and literary heritage of India. Key aspects of Translations of Shakuntala and Other Works: Literary Masterpieces: The book features translations of Kalidasa's most celebrated works, including the timeless play Shakuntala. Readers are immersed in the enchanting narratives, poetic language, and vivid imagery that characterize Kalidasa's writings. Cultural Significance: Kalidasa's works are not only literary treasures but also provide insights into the social, cultural, and philosophical aspects of ancient Indian society. The book offers readers a window into the traditions, beliefs, and values that shaped Indian civilization. Artistic Beauty: Kalidasa's poetic verses are known for their lyrical beauty and evocative descriptions. The translations capture the essence of his writings, allowing readers to appreciate the elegance and artistry of Kalidasa's words. Kalidasa: Kalidasa, an ancient Indian poet and playwright, is hailed as one of the greatest literary figures in Sanskrit literature. While little is known about his life, his works have had a profound influence on Indian literature and culture. Kalidasa's plays, such as Shakuntala and Meghaduta, showcased his mastery of poetic language, vivid imagery, and deep understanding of human emotions. His works continue to be celebrated for their artistic beauty, philosophical insights, and their portrayal of the complexities of love and the human experience. Kalidasa's contributions to classical Indian literature have earned him a revered status among poets and scholars alike.

Shakuntala, also known as The Recognition of Shakuntala and The Sign of Shakuntala is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā. You will love this beautiful epic tale about a queen who loses an enchanted ring and is cursed to be forgotten by her husband.

KING Yes. I shall release you - SAKUNTALA When? KING When? When, like a bee, I kiss the bud of your unbruised lip And flood my thirsting mouth with nectar. Kalidasa's play about the love of King Dusyanta and Sakuntala, a hermitage girl, their separation by a curse, and eventual reunion, is the supreme work of Sanskrit drama by its greatest poet and playwright (c.4th century CE). Overwhelmingly erotic in tone, in peformance The Recognition of Sakuntala aimed to produce an experience of aesthetic rapture in the audience, akin to certain types of mystical experience. The pioneering English translation of Sakuntala in 1789 caused a sensation among European composers and writers (including Goethe), and it continues to be performed around the world. This vibrant new verse translation includes the famous version of the story from the Mahabharata, a poetic and dramatic text in its own right and a likely source for Kalidasa. The introduction discusses the play in the aesthetic and cultural context of ancient India. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The legend of the exquisitely beautiful Shakuntala and the mighty king Dushyant is a thrilling love story from the epic Mahabharata, which the great ancient poet Kalidasa retold in his immortal play Abhijnanashakuntalam. The play was the first Indian drama to be translated into a Western language, by Sir William Jones in 1789. In the next 100 hundred years, there were at least 46 translations in twelve European languages. But translation by Arthur William Ryder (March 8, 1877 - March 21, 1938), a professor of Sanskrit at the University of California, Berkeley, is the best one, adapted in this book.