"Honesty is a one way ticket to Hell, Kitten."Sinclair BlackwellDeclan CarterGiovanni MartinelliKings of campus.Walking Greek statues of sin and lust.Influence beyond belief.Their obsession?Me.After a brutal attack, these powerful empire heirs take me in.They saved me from potential death.They protect me. Provide for me.They all become my... lovers?Slowly but surely, we all enter into a relationship with each other. Lines of love and hate blur as walls are broken down.But happiness is only a pipe dream in my world.Threats start. Unknown forces living right under our noses have other plans for us.I become a pawn in a game I'm not even aware of.So do they.Corruption collides with greed.So how do we fight a battle we aren't even aware of?It's simple.We lose.

They took her. They took the one thing in our miserable lives that means anything to us. When we find her. Revenge will be had. But with that revenge, secrets must unravel. Truths must be told. But with the revelations....Questions arise. Will our bonds of trust be shattered beyond repair? Will the demons that lurk below the surface finally consume us into their darkness? How can we defeat the constant blows coming our way? Well the answer is simple. We fight like hell. But when the biggest setback comes our way? We may just be royally screwed.

A mesmerizing debut novel for fans of Madeline Miller's Circe. Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice. When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur. But will Ariadne’s decision ensure her happy ending? And what of Phaedra, the beloved younger sister she leaves behind? Hypnotic, propulsive, and utterly transporting, Jennifer Saint's Ariadne forges a new epic, one that puts the forgotten women of Greek mythology back at the heart of the story, as they strive for a better world.

Challenging the central place that "practices" have recently held in Christian theology, Lauren Winner explores the damages these practices have inflicted over the centuries Sometimes, beloved and treasured Christian practices go horrifyingly wrong, extending violence rather than promoting its healing. In this bracing book, Lauren Winner provocatively challenges the assumption that the church possesses a set of immaculate practices that will definitionally train Christians in virtue and that can't be answerable to their histories. Is there, for instance, an account of prayer that has anything useful to say about a slave-owning woman's praying for her slaves' obedience? Is there a robustly theological account of the Eucharist that connects the Eucharist's goods to the sacrament's central role in medieval Christian murder of Jews? Arguing that practices are deformed in ways that are characteristic of and intrinsic to the practices themselves, Winner proposes that the register in which Christians might best think about the Eucharist, prayer, and baptism is that of "damaged gift." Christians go on with these practices because, though blighted by sin, they remain gifts from God.

NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SUSPENSE MAGAZINE • Includes Dean Koontz’s short story “You Are Destined to Be Together Forever” From “one of the master storytellers of this or any age” (The Tampa Tribune) comes the stunning final adventure of “one of the most remarkable and appealing characters in current fiction”(The Virginian-Pilot)—as Dean Koontz brings the unforgettable odyssey of Odd Thomas to its dazzling conclusion. Odd Thomas is back where it all started . . . because the time has come to finish it. Since he left his simple life in the small town of Pico Mundo, California, his journey has taken him to places strange and wonderful, mysterious and terrifying. Across the land, in the company of mortals and spirits alike, he has known kindness and cruelty, felt love and loss, saved lives and taken them—as he’s borne witness to humanity’s greatest good and darkest evil. Again and again, he has gone where he must and done what he had to do—for better or worse—with his courage and devotion sorely tested, and his soul forever changed. Every triumph has been hard won. Each sacrifice has taken its toll. Now, whatever destiny drives him has finally steered his steps home, where those he cares for most surround him, the memory of his tragically lost true love haunts him, and one last challenge—vast and dreadful—awaits him. For Odd Thomas, born to serve a purpose far greater than himself, the wandering is done. Only the reckoning remains. Praise for Saint Odd “Equal parts supernatural thriller, cultural satire, character study, bildungsroman, offbeat love story, road trip, spiritual meditation, and apocalyptic adventure, the Odd Thomas books . . . are more than irresistible page-turners. They are intimate, haunting, often heartrending, exhilarating, and beautifully composed.”—Biography.com “Odd Thomas is such an endearing and likable character and, more than anything else, has been the reason for the success of the series. . . . For readers who have been with Odd all along, Saint Odd will satisfy.”—Bookreporter Acclaim for Dean Koontz and his Odd Thomas novels “Odd’s strange gifts, coupled with his intelligence and self-effacing humor, make him one of the most quietly authoritative characters in recent popular fiction.”—Publishers Weekly “Koontz gives his character wit, good humor, a familiarity with the dark side of humanity—and moral outrage.”—USA Today “The ultimate Everyman . . . an avatar of hope and honor and courage for all of us—the linchpin of a rollicking good tale . . . Odd evokes the homespun wisdom of Forrest Gump amid the mind-spinning adventures of a Jack Bauer.”—BookPage “There’s never anything predictable about an Odd Thomas adventure.”—Booklist “The nice young fry cook with the occult powers is [Koontz’s] most likable creation . . . candid, upright, amusing and sometimes withering.”—The New York Times “An inventive . . . mix of suspense, whimsy and uplift.”—The Washington Post “Heartfelt and provocative . . . a wonderfully rich and entertaining story.”—Chicago Sun-Times

In six closely-reasoned chapters, Joseph Gordon presents a detailed account of a Christian doctrine of Scripture in the fullest context of systematic theology. Divine Scripture in Human Understanding addresses the confusing plurality of contemporary approaches to Christian Scripture—both within and outside the academy—by articulating a traditionally grounded, constructive systematic theology of Christian Scripture. Utilizing primarily the methodological resources of Bernard Lonergan and traditional Christian doctrines of Scripture recovered by Henri de Lubac, it draws upon achievements in historical-critical study of Scripture, studies of the material history of Christian Scripture, reflection on philosophical hermeneutics and philosophical and theological anthropology, and other resources to articulate a unified but open horizon for understanding Christian Scripture today. Following an overview of the contemporary situation of Christian Scripture, Joseph Gordon identifies intellectual precedents for the work in the writings of Irenaeus, Origen, and Augustine, who all locate Scripture in the economic work of the God to whom it bears witness by interpreting it through the Rule of Faith. Subsequent chapters draw on Scripture itself; classical sources such as Irenaeus, Origen, Augustine, and Aquinas; the fruit of recent studies on the history of Scripture; and the work of recent scholars and theologians to provide a contemporary Christian articulation of the divine and human locations of Christian Scripture and the material history and intelligibility and purpose of Scripture in those locations. The resulting constructive position can serve as a heuristic for affirming the achievements of traditional, historical-critical, and contextual readings of Scripture and provides a basis for addressing issues relatively underemphasized by those respective approaches.

In this profoundly innovative book, Ashon T. Crawley engages a wide range of critical paradigms from black studies, queer theory, and sound studies to theology, continental philosophy, and performance studies to theorize the ways in which alternative or “otherwise” modes of existence can serve as disruptions against the marginalization of and violence against minoritarian lifeworlds and possibilities for flourishing. Examining the whooping, shouting, noise-making, and speaking in tongues of Black Pentecostalism—a multi-racial, multi-class, multi-national Christian sect with one strand of its modern genesis in 1906 Los Angeles—Blackpentecostal Breath reveals how these aesthetic practices allow for the emergence of alternative modes of social organization. As Crawley deftly reveals, these choreographic, sonic, and visual practices and the sensual experiences they create are not only important for imagining what Crawley identifies as “otherwise worlds of possibility,” they also yield a general hermeneutics, a methodology for reading culture in an era when such expressions are increasingly under siege.