Here are the rules, conferences and writings of these two Vincentian founders who, through service to the poor, left an indelible mark on the church in France in the seventeenth century and beyond to the present. Louise (1591-1660) first came to Vincent (1581-1660) for spiritual direction and they became coworkers and friends for the rest of their lives.

Born illegitimate, St. Louise (1591-1660) became a great apostle of charity. Together with St. Vincent de Paul she established permanent institutions to put haphazard works of charity onto a stable footing--hospitals, child care institutions, homes for the aged, care for those in prison and on the battlefield, psychiatric centers and home nursing care. Impr.

Chronicling the history of the Daughters of Charity through the seventeenth century, this study examines how the community's existence outside of convents helped to change the nature of women's religious communities and the early modern Catholic church. Unusually for the time, this group of Catholic religious women remained uncloistered. They lived in private houses in the cities and towns of France, offering medical care, religious instruction and alms to the sick and the poor; by the end of the century, they were France's premier organization of nurses. This book places the Daughters of Charity within the context of early modern poor relief in France - the author shows how they played a critical role in shaping the system, and also how they were shaped by it. The study also examines the complicated relationship of the Daughters of Charity to the Catholic church of the time, analyzing it not only for what light it can shed on the history of the community, but also for what it can tell us about the Catholic Reformation more generally.

From Penitence to Charity radically revises our understanding of women's place in the institutional and spiritual revival known as the Catholic Reformation. Focusing on Paris, where fifty new religious congregations for women were established in as many years, it examines women's active role as founders and patrons of religious communities, as spiritual leaders within these communities, and as organizers of innovative forms of charitable assistance to the poor. Rejecting the too common view that the Catholic Reformation was a male-dominated movement whose principal impact on women was to control and confine them, the book shows how pious women played an instrumental role, working alongside--and sometimes in advance of--male reformers. At the same time, it establishes a new understanding of the chronology and character of France's Catholic Reformation by locating the movement's origins in a penitential spirituality rooted in the agonies of religious war. It argues that a powerful desire to appease the wrath of God through acts of heroic asceticism born of the wars did not subside with peace but, rather, found new outlets in the creation of austere, contemplative convents. Admiration for saintly ascetics prompted new vocations, and convents multiplied, as pious laywomen rushed to fund houses where, enjoying the special rights accorded founders, they might enter the cloister and participate in convent life. Penitential enthusiasm inevitably waned, while new social and economic tensions encouraged women to direct their piety toward different ends. By the 1630s, charitable service was supplanting penitential asceticism as the dominant spiritual mode. Capitalizing on the Council of Trent's call to catechize an ignorant laity, pious women founded innovative new congregations to aid less favored members of their sex and established lay confraternities to serve society's outcasts and the poor. Their efforts to provide war relief during the Fronde in particular deserve recognition.

A well-illustrated cultural history of the apparel worn by American Catholics, Sally Dwyer-McNulty's Common Threads reveals the transnational origins and homegrown significance of clothing in developing identity, unity, and a sense of respectability for a major religious group that had long struggled for its footing in a Protestant-dominated society often openly hostile to Catholics. Focusing on those who wore the most visually distinct clothes--priests, women religious, and schoolchildren--the story begins in the 1830s, when most American priests were foreign born and wore a variety of clerical styles. Dwyer-McNulty tracks and analyzes changes in Catholic clothing all the way through the twentieth century and into the present, which finds the new Pope Francis choosing to wear plain black shoes rather than ornate red ones. Drawing on insights from the study of material culture and of lived religion, Dwyer-McNulty demonstrates how the visual lexicon of clothing in Catholicism can indicate gender ideology, age, and class. Indeed, clothing itself has become a kind of Catholic language, whether expressing shared devotional experiences or entwined with debates about education, authority, and the place of religion in American society.