The life of St Columbia - Columkille, ' the dove of the church', his emblem the flying dove within the lovely columbine flower - who left Ireland in a rage, founded monasteries and, himself turbulent, started the tranquil church of Iona. A beautiful life by a one of his successor abbots. Callender Peace Studies /. Callender Saints

‘Years ago, I was captivated by a magical day spent on Iona and dreamed of writing a book on St Columba, an inspirational man far ahead of his time, who challenged the institutions of church and state, and created a monastery that became a beacon of spiritual and artistic light during the dark ages.’ Tim Hetherington In this bold take on the life of Saint Columba – the founder of the religious community on the Scottish island of Iona and one of Ireland’s three patron saints – Tim Hetherington eschews the pieties of a conventional hagiography in favour of a more down-to-earth view of the saint and the religious, social and political world of Ireland and Scotland in the sixth century AD. Originally named Crimthann – the fox – and a member of the powerful Ui Neill Clan, Columba’s remarkable gifts of intellect and character were quickly noted and nourished by the leading clerics of the day. But his impetuous nature and family loyalties led him to involvement in political intrigues and conflicts. Denounced by Church leaders, Columba left Ireland with twelve monks and founded the monastery on Iona. Over the years he established the Christian Church throughout Dalriada, the Irish kingdom in Western Scotland, and then in the rest of Scotland ruled by King Bridei of the Picts. Columba aligned himself closely, perhaps too closely, with the Dalriadan royal family. But the sheer force of his personality and his dedication to spreading Christianity by written works as well as by word of mouth ensured his special place in history. Masterfully blending extensive research and novelistic imagination, The Life and Loves of Saint Columba is full of fascinating insights into the nature of faith and spirituality. This is a must-read for anyone interested in Christianity or Irish history.

As evidenced by the famed Book of Kells and monumental high crosses, Scotland and Ireland have long shared a distinctive artistic tradition. The story of how this tradition developed and flourished for another millennium through survival, adaptation and revival is less well known. Some works were preserved and repaired as relics, objects of devotion believed to hold magical powers. Respect for the past saw the creation of new artefacts through the assemblage of older parts, or the creation of fakes and facsimiles. Meanings and values attached to these objects, and to places with strong early Christian associations, changed over time but their 'Celtic' and/or 'Gaelic' character has remained to the forefront of Scottish and Irish national expression. Exploring themes of authenticity, imitation, heritage, conservation and nationalism, these interdisciplinary essays draw attention to a variety of understudied artworks and illustrate the enduring link that exists between Scottish and Irish cultures.