At long last, Hazel and her star-crossed family are finally back and here to kick off a NEW STORY ARC! So, where the hell have they been? As thanks for fans’ endless patience, the SAGA team is proud to return with a double-length issue—44 pages of story for the regular $2.99 price point—without variant covers or gimmicky renumbering. Just more pulse-punding adventure, heart-wrenching character drama, and gloriously graphic sex and violence, as SAGA begins the second half the series and the most epic chapter yet! The SAGA series has sold over 6.8 million copies to date across all formats, has been translated into 20 languages, and has garnered multiple Eisner and Harvey Awards, plus a Hugo Award, British Fantasy Award, Goodreads Choice Award, Shuster Award, Inkwell Award, Ringo Award, and more. It has been featured in such mainstream media outlets as TIME, Entertainment Weekly, The Atlantic, NPR, and beyond, and has become a pop culture phenomenon.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Representative of a unique literary genre and composed in the 13th and 14th centuries, the Icelandic Family Sagas rank among some of the world's greatest literature. Here, Heather O'Donoghue skilfully examines the notions of time and the singular textual voice of the Sagas, offering a fresh perspective on the foundational texts of Old Norse and medieval Icelandic heritage. With a conspicuous absence of giants, dragons, and fairy tale magic, these sagas reflect a real-world society in transition, grappling with major new challenges of identity and development. As this book reveals, the stance of the narrator and the role of time – from the representation of external time passing to the audience's experience of moving through a narrative – are crucial to these stories. As such, Narrative in the Icelandic Family Saga draws on modern narratological theory to explore the ways in which saga authors maintain the urgency and complexity of their material, handle the narrative and chronological line, and offer perceptive insights into saga society. In doing so, O'Donoghue presents a new poetics of family sagas and redefines the literary rhetoric of saga narratives.