As a child during the height of the Cold War, Steve Healey learns that his father is a spy for the CIA. Beneath the banality of everyday life—the suburbs of Washington, DC; school and play; his parents’ deteriorating marriage—assumed names, parallel lives, and myriad Cold War menaces linger. Drawing from CIA training manuals and pop culture references alike, Healey’s poetry is both intimate and claustrophobic. In these poems, the natural anxiety of childhood is compounded by the weight of both national and family secrets, and Healey draws deep parallels between the shaky foundations of truth in his past and the paranoia and obfuscation that envelops our nation’s present.

A father revealed as a spy, a child unmoored from normalcy--in Safe Houses I Have Known, poems ripple with the secrets that we keep from ourselves and each other.

The date is October 15, 1954. Thirteen-year-old Elizabeth, who lives in the Toronto suburb of Weston, is a typical grade 8 girl. She has a secret crush on a boy in her class and she thinks Elvis Presley is "dreamy." Elizabeth also has a part-time job babysitting an adorable little grade 2 girl named Suzie, and Suzie’s not-so-adorable grade 6 brother, David. Elizabeth’s job is to walk Suzie and David home after school and then stay at their house with them until their mother gets home from work. David resents Elizabeth because he thinks he is too old for a babysitter, and he goes out of his way to make life miserable for her. On this particular evening, however, Elizabeth has more than a badly behaved boy to contend with. It is on this October night that Hurricane Hazel roars down on Toronto, bringing torrential rains that cause extensive flooding. David and Suzie’s house is on Raymore Drive, a street that will be practically wiped out by the floodwaters. David and Suzie’s parents are unable to reach the house, which means the children’s safety on this most deadly of nights is Elizabeth’s responsibility. She finds herself increasingly isolated. They are surrounded by rising water. The electricity goes out. The phone goes dead. Still, Elizabeth is sure they will be safe as long as they remain in the house. But are Elizabeth and the children really as "safe as houses"? Before this terrifying night is over, Elizabeth and David will have to learn to communicate and cooperate if they are to save their own lives and Suzie’s. Their survival in the midst of one of Canada’s worst disasters will depend upon their resourcefulness, maturity and courage.

In “one of the great espionage novels of our time” (#1 New York Times bestselling author Lee Child), a young woman goes on the run after discovering a dark truth at the heart of the CIA’s operations in postwar Berlin, only to be murdered years later. Now her daughter is determined to uncover the truth. West Berlin, 1979. Helen Abell oversees the CIA's network of safe houses, rare havens for field agents and case officers amidst the dangerous milieu of a city in the grips of the Cold War. Helen's world is upended when she overhears a meeting between two people unfamiliar to her speaking a coded language that hints at shadowy realities. Before the day is out, she witnesses a second unauthorized encounter, one that will place her in the sight lines of the most ruthless and dangerous man at the agency. What she has witnessed will have repercussions that reach across decades and continents into the present day, when, in a farm town in Maryland, a young man is arrested for the double murder of his parents, and his sister takes it upon herself to find out why he did it.

West Berlin, 1979. Helen Abell oversees the CIA's network of safe houses, rare havens for field agents and case officers amidst the dangerous milieu of a city in the grips of the Cold War. Helen's world is upended when she overhears a meeting between two people unfamiliar to her speaking a coded language that hints at shadowy realities. Before the day is out, she witnesses a second unauthorized encounter, one that will place her in the sight lines of the most ruthless and dangerous man at the agency. What she has witnessed will have repercussions that reach across decades and continents into the present day, when, in a farm town in Maryland, a young man is arrested for the double murder of his parents, and his sister takes it upon herself to find out why he did it.

"After the Collapse of 2028, a vast section of LA, now known as the Disincorporated Zone, was disowned by the civil authorities and became a de facto third world country within the borders of the city. Navigating the boundaries between DZ and LA proper is a tricky task, and there's no one better suited than eccentric private investigator Erasmus Keane. So when movie mogul Selah Fiore decides she needs to get her hands on a rare coin lost somewhere in the city, she knows Keane is the man for the job. But while the erratic Keane and his more sensible partner Blake Fowler struggle to unravel the mystery of the elusive coins, Blake's girlfriend Gwen goes missing and Selah Fiore turns up murdered"--

The titular story revolves around an aging English professor who, mourning the loss of his wife, robs other people's homes of their sentimental knick-knacks. In "Free Ham," a young dropout wins a ham after her house burns down and refuses to accept it. "Has my ham done anything wrong?" she asks when the grocery store manager demands that she claim it. In "Carry Me Home, Sisters of Saint Joseph," a failed commercial writer moves into the basement of a convent and inadvertently discovers the secrets of the Sisters of Saint Joseph. A girl, hoping to talk her brother out of enlisting in the army, brings Bob Dylan home for Thanksgiving dinner in the quiet, dreamy "North Of." In "The Idea of Marcel," Emily, a conservative, elegant girl, has dinner with the idea of her ex-boyfriend, Marcel. In a night filled with baffling coincidences, including Marcel having dinner with his idea of Emily, she wonders why we tend to be more in love with ideas than with reality. In and out of the rooms of these gritty, whimsical stories roam troubled, funny people struggling to reconcile their circumstances to some kind of American Ideal and failing, over and over.