'The middle grade book everyone's going to be obsessed with this summer' Louie Stowell, author of Loki For fans of ONWARD and A Monster Calls, this is an unmissable illustrated story about grief and love for young readers 9 and up. Sadé has always loved escaping to her imaginary, rainbow-bright world. When her mum dies, the colours in her mind fade like old jeans, and her shadow beasts appear: Tiger with black claws, Hen with cracked feathers, Fox with giant hind legs and Lion with piercing blue eyes. The shadow beasts are trouble. They follow Sadé to school and cause chaos wherever they go. Then Sadé joins a grief support group to work through her emotions, and slowly her beasts retreat. But just as it's her turn to perform her poetry at the school talent show, they're back, larger and stronger than ever ... can Sadé find the words to remember her mum in her own unique way, and banish her shadow beasts for good? 'A real ode to the power of creativity...' L.D. Lapinski, author of The Strangeworlds Travel Agency

'The middle grade book everyone's going to be obsessed with this summer' Louie Stowell, author of Loki For fans of ONWARD and A Monster Calls, this is an unmissable illustrated story about grief and love for young readers 9 and up. Sadé has always loved escaping to her imaginary, rainbow-bright world. When her mum dies, the colours in her mind fade like old jeans, and her shadow beasts appear: Tiger with black claws, Hen with cracked feathers, Fox with giant hind legs and Lion with piercing blue eyes. The shadow beasts are trouble. They follow Sadé to school and cause chaos wherever they go. Then Sadé joins a grief support group to work through her emotions, and slowly her beasts retreat. But just as it's her turn to perform her poetry at the school talent show, they're back, larger and stronger than ever ... can Sadé find the words to remember her mum in her own unique way, and banish her shadow beasts for good? 'A real ode to the power of creativity...' L.D. Lapinski, author of The Strangeworlds Travel Agency

The Shadow and Its Shadow is a classic collection of writings by the Surrealists on their mad love of moviegoing. The forty-odd theoretical, polemical, and poetical re-visions of the seventh art in this anthology document Surrealism's scandalous and nonreductive take on film. Writing between 1918 and 1977, the essayists include such names as Andréeacute; Breton, Louis Aragon, Robert Desnos, Salvador Dalíiacute;, Luis Buñntilde;uel, and man Ray, as well as many of the less famous though equally fascinating figures of the movement. Paul Hammond's introduction limns the history of Surrealist cinemania, highlighting how these revolutionary poets, artists, and philosophers sifted the silt of commercial-often Hollywood-cinema for the odd fleck of gold, the windfall movie that, somehow slipping past the censor, questioned the dominant order. Such prospecting pivoted around the notion of lyrical behavior-as depicted on the screen and as lived in the movie house. The representation of such behavior led the Surrealists to valorize the manifest content of such denigrated genres as silent and sound comedy, romantic melodrama, film noir, horror movies. As to lived experience, moviegoing Surrealists looked to the spectacle's latent meaning, reading films as the unwitting providers of redemptive sequences that could be mentally clipped out of their narrative context and inserted into daily life-there, to provoke new adventures. "Hammond's book is a reminder of the wealth and range of surrealist writings on the cinema. . . . [T]he work represented here is still challenging and genuinely eccentric, locating itself in an 'ethic' of love, reverie and revolt." --Sight & Sound "Hammond, who is the author of the invaluable anthology The Shadow and its Shadow: Surrealist Writing on the Cinema (1978), writes about cinema independently of the changing academic and cultural fashions of film theory and abhors the dogmas of contemporary border-patrol thought. His magnetically appealing free-wheeling form of erudite film-critical writing is recognisable for its iconoclastic humour, non-authoritarian verve and playful witty discursivity." --John Conomos, Senses of Cinema Paul Hammond is a writer, editor, and translator living in Barcelona. He is the author of Constellations of Miróoacute;, Breton which was published by City Lights.

'Gripping - a joy of a story' Robin Stevens Shortlisted for the Shrewsbury Book Award and the Warwickshire Book Award When ten-year-old Liam moves house to be closer to his dementia-suffering grandma, he's thrown into an unfamiliar place with a family that seems to be falling apart. Liam doesn't remember what his grandma was like before she became ill. He only knows the witch-like old woman who snaps and snarls and eats her birthday cards. He wants to fix it, but he can't. Walking his dog one day, Liam discovers an old stone gargoyle in a rundown church, and his life changes in impossible ways. The gargoyle is alive. It moves unseen in the night, acting out Liam's stories. And stories can be dangerous things... Seeking revenge against the bullies at his new school, Liam tells a story about the gargoyle attacking them. When one of them ends up in hospital, a regretful Liam vows never to go near the gargoyle again. But his grandma's illness is getting worse, his mum isn't coping, and his sister is skipping school... What if the gargoyle is the only thing that can save Liam's family?

"...The beginning of a great saga..." —NPR.org "This compelling Nigerian-influenced fantasy has a wonderfully unique premise and lush, brilliant worldbuilding that will consume you until the last page."—Buzzfeed "...Unforgettable in its darkness, inequality, and magic." —VOYA, Starred Review "...A paean to an emerging black legend."—Kirkus Reviews, Starred Review Black Panther meets Nnedi Okorafor's Akata Witch in Beasts Made of Night, the first book in an epic fantasy duology. In the walled city of Kos, corrupt mages can magically call forth sin from a sinner in the form of sin-beasts—lethal creatures spawned from feelings of guilt. Taj is the most talented of the aki, young sin-eaters indentured by the mages to slay the sin-beasts. But Taj’s livelihood comes at a terrible cost. When he kills a sin-beast, a tattoo of the beast appears on his skin while the guilt of committing the sin appears on his mind. Most aki are driven mad by the process, but Taj is cocky and desperate to provide for his family. When Taj is called to eat a sin of a member of the royal family, he’s suddenly thrust into the center of a dark conspiracy to destroy Kos. Now Taj must fight to save the princess that he loves—and his own life. Debut author Tochi Onyebuchi delivers an unforgettable series opener that powerfully explores the true meaning of justice and guilt. Packed with dark magic and thrilling action, Beasts Made of Night is a gritty Nigerian-influenced fantasy perfect for fans of Paolo Bacigalupi and Nnedi Okorafor. iBooks Most Anticipated YA Books of the Fall io9’s All the Science Fiction and Fantasy Books to Keep On Your Radar This Fall BuzzFeed’s 22 YA Novels You’ll Want To Read From Cover To Cover This Fall A 2017 BookExpo Buzz Book A Junior Library Guild Selection

The Book of Lies was written by English occultist and teacher Aleister Crowley under the pen name of Frater Perdurabo. As Crowley describes it: "This book deals with many matters on all planes of the very highest importance. It is an official publication for Babes of the Abyss, but is recommended even to beginners as highly suggestive." The book consists of 91 chapters, each of which consists of one page of text. The chapters include a question mark, poems, rituals, instructions, and obscure allusions and cryptograms. The subject of each chapter is generally determined by its number and its corresponding Qabalistic meaning.

From medieval bestiaries to Borges’s Book of Imaginary Beings, we’ve long been enchanted by extraordinary animals, be they terrifying three-headed dogs or asps impervious to a snake charmer’s song. But bestiaries are more than just zany zoology—they are artful attempts to convey broader beliefs about human beings and the natural order. Today, we no longer fear sea monsters or banshees. But from the infamous honey badger to the giant squid, animals continue to captivate us with the things they can do and the things they cannot, what we know about them and what we don’t. With The Book of Barely Imagined Beings, Caspar Henderson offers readers a fascinating, beautifully produced modern-day menagerie. But whereas medieval bestiaries were often based on folklore and myth, the creatures that abound in Henderson’s book—from the axolotl to the zebrafish—are, with one exception, very much with us, albeit sometimes in depleted numbers. The Book of Barely Imagined Beings transports readers to a world of real creatures that seem as if they should be made up—that are somehow more astonishing than anything we might have imagined. The yeti crab, for example, uses its furry claws to farm the bacteria on which it feeds. The waterbear, meanwhile, is among nature’s “extreme survivors,” able to withstand a week unprotected in outer space. These and other strange and surprising species invite readers to reflect on what we value—or fail to value—and what we might change. A powerful combination of wit, cutting-edge natural history, and philosophical meditation, The Book of Barely Imagined Beings is an infectious and inspiring celebration of the sheer ingenuity and variety of life in a time of crisis and change.