When popular author Adrian Calabrese's father was in surgery for a life-threatening medical condition, she asked for a sign that he would survive-and she immediately received one. Now she shares her secrets for getting clear guidance from the Universe in Sacred Signs, teaching readers a simple three-step method for receiving divine messages. Unlike other books on the subject, Sacred Signs is not a "sign dictionary." Calabrese believes that the interpretation of a sign is as unique as the individual receiving it. The original checklists and questionnaires throughout the book help readers focus their desires to more effectively communicate with the Universe. Success stories throughout the book provide inspiration and further demonstrate how to use this personal, nondenominational approach to interpreting divine signs.

The art of the three Abrahamic religions—Christianity, Judaism, and Islam—has a tangled, interwoven history. Symbols cross back and forth among the three faiths, adapted to reflect that faith's specific spiritual needs. And much of this symbolic language predates any of the Abrahamic faiths entirely.In Our Sacred Signs, Ori Soltes traces the interconnectedness of religious symbols such as the Star of David, which isn't, it turns out, exclusive to Judaism at all. He shows that the various ways that Jesus is portrayed on the cross recall an artistic tradition that is in no way unique to Christianity. And he shows that religious architectural conventions as simple as the dome represent early “pagan” traditions.The narrative—essentially a series of overlapping stories—moves through the halls of museums and off to the holy sites of the three religions, tracing the millennia-long artistic trail that has endured even as the West moved toward secularization in the last three hundred years.Soltes shows us how art has long been used as an instrument to take us where words cannot follow. Our Sacred Signs is a breathtaking and revelatory journey through human history, its gods, and its art.

Widely praised in hardcover as a fascinating and important addition to religious and cultural studies, Sacred Matters reveals the remarkable ways that religious practices permeate American cultural life.In a country where references to God are as normal as proclaiming love of country, support for the military, or security for the nation's children, religion scholar Gary Laderman casts his eye over our deeply hidden spiritual landscape, questioning whether our conventional views even begin to capture the rich and strange diversity of religious life in America. A compelling read, Sacred Matters shows that genuinely religious practices and experiences can be found in the unlikeliest of places-in science laboratories and movie theaters, at the Super Bowl and Star Trek conventions, and in Americans' obsession with prescription drugs and pornography. When devoted fans make a pilgrimage to Graceland because of their love for Elvis, Laderman argues, their behavior doesn't just seem religious, it is religious-enacting a well-known ritual pattern toward saints in the history of Christianity. In a dramatic reframing of what is holy and secular, Sacred Matters makes a powerful and illuminating case that religion is everywhere-and that we have barely begun to reckon with its hold on our cultural life.

This fascinating guide to the history and mythology of woman-related symbols features: Unique organization by shape of symbol or type of sacred object 21 different sections including Round and Oval Motifs, Sacred Objects, Secular-Sacred Objects, Rituals, Deities' Signs, Supernaturals, Body Parts, Nature, Birds, Plants, Minerals, Stones and Shells, and more Introductory essays for each section 753 entries and 636 illustrations Alphabetical index for easy reference Three-Rayed Sun The sun suspended in heaven by three powers, perhaps the Triple Goddess who gave birth to it (see Three-Way Motifs). Corn Dolly An embodiment of the harvest to be set in the center of the harvest dance, or fed to the cattle to `make them thrive year round' (see Secular-Sacred Objects). Tongue In Asia, the extended tongue was a sign of life-force as the tongue between the lips imitated the sacred lingam-yoni: male within female genital. Sticking out the tongue is still a polite sign of greeting in northern India and Tibet (see Body Parts). Cosmic Egg In ancient times the primeval universe-or the Great Mother-took the form of an egg. It carried all numbers and letters within an ellipse, to show that everything is contained within one form at the beginning (see Round and Oval Motifs).

Hinduism Is Not Merely A Religion But A Way Of Life. Hinduism, In Its Traverse Of Four Thousand Years, Has Accumulated Many A Belief And Practice, Which Encompass The Whole Socio-Religio-Cultural Life Of A Devout. Since The Mythological Past, Hinduism Is Studded With Varied Signs And Symptoms, Which Are Mystic In Character And Symbolic In Nature, And Are Also Sacred Symbols Of Spiritualism As Well. These Symbols Are The Sacred Rivers; Mystic Mantras Like Om And Gayatri; The Auspicious Symbol Of Swastika; The Shivalinga, Salagram Shila Or Sacred Stone Objects; Tripundra Tilaks Or Urdhapundra Tilaks- The Process Of Besmearing The Body With Different Marks Of Sandal Pastes; The Sacred Conch Or Sankha And Venerated Trees Which Have Medicinal Value And Spiritual Ethos Like Tulsi, Vata, Rudraksha, Etc. All These Are Part Of Modern Hinduism But To Many Devouts And Observers These Symbols Stand Enigmatic! Thus This Book Attempts To Explore And Unearth The Hidden Philosophy Of These Signs And Gauge The Socio-Scientific Base And Tries To Find Out The Real Meaning Of Ritualistic Methodologies Of These Symbols, Which Are The Great Objects Of Veneration Of The Hindus Down The Ages.

Integrates structural and historical perspectives on the semiotics of religion and gives an account of the distinctive features of religious language and symbolism.

Throughout history, symbols have formed and shaped our mental and emotional states, and influenced our behavior. Robert Adkinson's compendium of religious, philosophical, and cultural emblems from a variety of contexts reveals the universal power of these elemental images, bridging the gap between languages and civilizations all over the world. With illuminating commentary, Adkinson positions each image within its cultural context, from the early societies of the Egyptians, the Celts and the Maya, who used visual metaphors to explain natural phenomena and illustrate concepts of good and evil, to the iconography of Buddhism, Taoism, and Christianity as found in art and architecture, concluding with the complex spiritual puzzles of the mandala, sacred sex, and the Tarot.