Shakespeare's essential greatness is clarified by placing his plays in the broad context of sacred art and showing his preoccupation with the quest for human perfection and the mystery of sanctification. In The Secret of Shakespeare, Martin Lings "says more to reveal the quintessence of Shakespeare's greatness than the most laborious exposition could ever do". -- Kathleen Raine

Revised and Expanded Edition of The Secret of Shakespeare Reveals the full scope of Shakespeare's plays as sacred visionary dramas, illuminating the bard's greatest works and the man behind them • Reveals how, through the use of esoteric symbol and form, Shakespeare's plays mirror the inner drama of the journey of all souls • Conveys a heightened understanding of the plays through examining the theatrical rendering of their texts Through his study of such plays as Hamlet, Othello, MacBeth, and King Lear, Lings supplies expert and inspiring guidance to the beautifully wrought words and worlds of William Shakespeare. Lings's particular genius lies in his ability to convey, as perhaps no one else has ever done, the theatrical renderings of these texts, leaving readers with deep and lasting impressions not only of these masterpieces of dramatic artistry, but of the extraordinary man behind them as well.

Shakespeare's plays, argues Lings, concern far more than the workings of the human psyche; they are sacred, visionary works that, through the use of esoteric symbol and form, mirror the passage the soul must make to reach its final sacred union with the divine.

This engaging book demonstrates Shakespeare’s abiding interest in the theatrical potential of the Christian resurrection from the dead. In fourteen of Shakespeare’s plays, characters who have been lost, sometimes for years, suddenly reappear seemingly returning from the dead. In the classical recognition scene, such moments are explained away in naturalistic terms a character was lost at sea but survived, or abducted and escaped, and so on. Shakespeare never invalidates such explanations, but in his manipulation of classical conventions he parallels these moments with the recognition scenes from the Gospels, repeatedly evoking Christ’s resurrection from the dead. Benson’s close study of the plays, as well as the classical and biblical sources that Shakespeare fuses into his recognition scenes, clearly elucidates the ways in which the playwright explored his abiding interest in the human desire to transcend death and to live reunited and reconciled with others. In his manipulation of resurrection imagery, Shakespeare conflates the material with the immaterial, the religious with the secular, and the sacred with the profane.

Thinking Shakespeare gives theater artists practical advice about how to make Shakespeare’s words feel spontaneous, passionate, and real. Based on Barry Edelstein’s thirty-year career directing Shakespeare’s plays, this book provides the tools that artists need to fully understand and express the power of Shakespeare’s language.

Revolutionary new discoveries reveal the actual location where (according to coded information embedded in the poet's church) the great Bard himself has left physical evidence that promises to finally end the persistent controversy concerning his identity. What is hidden at Stratford could well be the greatest story Shakespeare ever wrote! Unlike anything you've ever read about him, 'Dee-Coding Shakespeare' is an exquisite cryptographic maze and includes over 20 gorgeous, full-page photographs of Holy Trinity Church, Stratford. The reader is taken on a breath-taking journey of discovery and invited to be part of history by solving the mystery themselves. Forty puzzles take just a couple of minutes each to work out and result in a stunning conclusion that will shake the halls of academia and bring new life to our appreciation of the most enduring literary genius the world has ever known. The Bard will never be the same ... to-morrow, and to-morrow, and to-morrow.

This book explores how religious values are acted out and reflected on in classic Western theatre, with a particular emphasis on the plays put on during the Globe Theatre‘s yearlong season of 'Shakespeare and the Bible'. Each chapter includes ethnographic overviews of the performance of these plays as well as historical and theological perspectives on the issues they address. The Performance of Religion treads new ground in bringing performance and religious studies scholarship into direct conversation with one another. As such, it is essential reading for any academic with an interest in theology, religion and ethics and their expression in culture through the performing arts.