With Hitler's invasion of Russia on 22 June 1941, the Eastern front opened and politicians and generals around the world predicted the swift destruction of the Soviet armies. Nazi Germany threw its might against Russia: 5,000,000 men took part in the blitz attack along the Russian frontier. From interviews and primary evidence, much of it never previously published, unfolds the story of the Eastern Front, interweaving accounts of the men and women who served with the progress of the war itself. A tale of unbelievable heroism.

World War II, known as the Great Patriotic War to Russians, ravaged the Soviet Union and traumatized those who survived. After the war, memory of this anguish was often publicly repressed under Stalin. But that all changed by the 1960s. Under Brezhnev, the idea of the Great Patriotic War was transformed into one of victory and celebration. In Russia's Hero Cities, Ivo Mijnssen reveals how contradictory national recollections were revised into an idealized past that both served official needs and offered a narrative of heroism. This triumphant narrative was most evident in the creation of 13 Hero Cities, now located across Russia, Belarus, and Ukraine. These cities, which were host to some of the fiercest and most famous battles, were named champions. Brezhnev's government officially recognized these cities with awards, financial contributions, and ritualized festivities. Their citizens also encountered the altered history at every corner—on manicured battlefields, in war memorials, and through stories at the kitchen table. Using a rich tapestry of archival material, oral history interviews, and newspaper articles, Mijnssen provides a thorough exploration of two cities in particular, Tula and Novorossiysk. By exploring the significance of Hero Cities in Soviet identity and the enduring but conflicted importance they hold for Russians today, Russia's Hero Cities exposes how the Great Patriotic War no longer has the power to mask the deep rifts still present in Russian society.

Can trauma be inherited? In this luminous memoir of identity, exile, ancestry, and reckoning, an American writer returns to Russia to face a family history that still haunts him. It is this question that sets Alex Halberstadt off on a quest to name and acknowledge a legacy of family trauma, and to end a cycle of estrangement that had endured for nearly a century. His search takes him across the troubled, enigmatic land of his birth. In Ukraine he tracks down his paternal grandfather--most likely the last living bodyguard of Joseph Stalin--to reckon with the ways in which decades of Soviet totalitarianism shaped and fractured three generations of his family. He returns to Lithuania, his Jewish mother's home, to revisit the legacy of the Holocaust and the pernicious anti-Semitism that remains largely unaccounted for, learning that the boundary between history and biography is often fragile and indistinct. And he visits his birthplace, Moscow, where his glamorous grandmother designed homespun couture for Soviet ministers' wives, his mother dosed dissidents at a psychiatric hospital, and his father made a living by selling black-market jazz and rock records. Finally, Halberstadt explores his own story: that of a fatherless immigrant who arrived in America, to a housing project in Queens, New York, as a ten-year-old boy struggling with identity, feelings of rootlessness, and a yearning for home. He comes to learn that he was merely the latest in a lineage of sons who grew up alone, separated from their fathers by the tides of politics and history. As Halberstadt revisits the sites of his family's formative traumas, he uncovers a multigenerational transmission of fear, suspicion, melancholy, and rage. And he comes to realize something more: Nations, like people, possess formative traumas that penetrate into the most private recesses of their citizens' lives.

In Local Heroes, Kathryn Stoner-Weiss analyzes a crucial aspect of one of the great dramas of modern times--the reconstitution of the Russian polity and economy after more than seventy years of communist rule. This is the first book to look comprehensively and systematically at Russia's democratic transition at the local level. Its goal is to explain why some of the new political institutions in the Russian provinces weathered the monumental changes of the early 1990s better than others. Using newly available economic, political, and sociological data to test various theories of democratization and institutional performance, Stoner-Weiss finds that traditional theories are unable to explain variations in regional government performance in Russia. Local Heroes argues that the legacy of the former economic system influenced the operation of new political institutions in important and often unexpected ways. Past institutional structures, specifically the concentration of the regional economy, promoted the formation of political and economic coalitions within a new proto-democratic institutional framework. These coalitions have had positive effects on governmental performance. For democratic theorists, this may be a surprising conclusion. However, it is possible, as Stoner-Weiss suggests, that the needs of democratic development may be different in the short run than in the long run. The "local heroes" of today may be impediments to the further development of democracy tomorrow. This provocative work, solidly grounded in research and theory, will interest anyone concerned with issues of economic and political transition.

Across the 20th century, the Russian literary hero remained central to Russian fiction and frequently "battled" one enemy or another, whether on the battlefield or on a civilian front. Brintlinger traces those war experiences, memories, tropes, and metaphors in the literature of the Soviet and post-Soviet period.

The first major Russian novel, A Hero of Our Time was both lauded and reviled upon publication. Its dissipated hero, twenty-five-year-old Pechorin, is a beautiful and magnetic but nihilistic young army officer, bored by life and indifferent to his many sexual conquests. Chronicling his unforgettable adventures in the Caucasus involving brigands, smugglers, soldiers, rivals, and lovers, this classic tale of alienation influenced Tolstoy, Dostoyevsky, and Chekhov in Lermontov’s own century, and finds its modern-day counterparts in Anthony Burgess’s A Clockwork Orange, the novels of Chuck Palahniuk, and the films and plays of Neil LaBute.

Heroes of the 90s is a book composed by journalists of the newspaper Kommersant. The book sheds light on the transformation of the USSR and the country's social, state, financial, economic and civic institutions into a new state - the Russian Federation. The book covers Russia's first decade as a new country, the turbulent 90s that formed Russia's reality today. The book revisits the storming of the White House, the allocation of vouchers in attempts to set up a new economy of private ownership, Boris Yeltsin and the Chechen wars, hired killers, Ponzi schemes and financial crises, Boris Berezovsky, Anatoly Chubais and others. The book is based on facts and testimonies from those who lived through the era, many of whom share their stories with the world for the first time. Heroes of the 90s offers to the western reader, for the first time in history, a rare opportunity to learn about the developments in the post-Soviet Russia from the perspectives of the Russian journalists who have spent years investigating the ups and downs of the period. Translated by Huw Davies.