This book examines how the Russian Orthodox Church developed during the period of Gorbachev’s rule in the Soviet Union, a period characterised by perestroika (reform) and glasnost (openness). It charts how official Soviet policy towards religion in general and the Russian Orthodox Church changed, with the Church enjoying significantly improved status. It also discusses, however, how the improved relations between the Moscow Patriarchate and the state, and the Patriarchate’s support for Soviet foreign policy goals, its close alignment with Russian nationalism and its role as a guardian of the Soviet Union’s borders were not seen in a positive light by dissidents and by many ordinary believers, who were disappointed by the church’s failure in respect of its social mission, including education and charitable activities.

The Oxford Handbook of Russian Religious Thought is an authoritative new reference and interpretive volume detailing the origins, development, and influence of one of the richest aspects of Russian cultural and intellectual life - its religious ideas. After setting the historical background and context, the Handbook follows the leading figures and movements in modern Russian religious thought through a period of immense historical upheavals, including seventy years of officially atheist communist rule and the growth of an exiled diaspora with, e.g., its journal The Way. Therefore the shape of Russian religious thought cannot be separated from long-running debates with nihilism and atheism. Important thinkers such as Losev and Bakhtin had to guard their words in an environment of religious persecution, whilst some views were shaped by prison experiences. Before the Soviet period, Russian national identity was closely linked with religion - linkages which again are being forged in the new Russia. Relevant in this connection are complex relationships with Judaism. In addition to religious thinkers such as Philaret, Chaadaev, Khomiakov, Kireevsky, Soloviev, Florensky, Bulgakov, Berdyaev, Shestov, Frank, Karsavin, and Alexander Men, the Handbook also looks at the role of religion in aesthetics, music, poetry, art, film, and the novelists Dostoevsky and Tolstoy. Ideas, institutions, and movements discussed include the Church academies, Slavophilism and Westernism, theosis, the name-glorifying (imiaslavie) controversy, the God-seekers and God-builders, Russian religious idealism and liberalism, and the Neopatristic school. Occultism is considered, as is the role of tradition and the influence of Russian religious thought in the West.

In Russian Orthodoxy and Secularism, Kristina Stoeckl surveys the ways in which the Russian Orthodox Church has negotiated its relationship with the secular state, with other religions, and with Western modernity from its beginnings until the present.

The chapters brought together in this volume build on the idea that in the 1970s-1980s the global language of human rights contributed to stimulating ideas of reform in the communist world. The protagonists were Mikhail Gorbachev and the Italian communists. The experience of the PCI was in many ways a peculiar case, but one that was linked to underground ideas of cultural change even in Eastern Europe and the Soviet Union. Gorbachev's ascent signalled a fundamental shift, as he rejected the approach of reducing human rights to an ideological battleground and instead made it the centrepiece of a universalist relaunch. By exploring the encounter between reform communists and human rights, the authors reconstruct the metamorphosis and the end of communism within the context of the wider transformations taking place in European political cultures at the end of the Cold War.

This book examines the role of Russian and Serbian nationalism in dissolution of the Soviet Union and Yugoslavia in 1991.

Alienation, generational tensions, rampant nationalism and the pervasiveness of atomic danger are all topics that haunted late Soviet citizens, and those fears are reflected in the films meant to represent their horror genre. In the late 1970s and throughout the 1980s, production of horror movies from independent filmmakers and Hollywood skyrocketed. It was a time of intense Cold War conflict and a resurgence of conservative ideals. It's not difficult to imagine that the ascent of horror occurred in conjunction with an increasingly scary and alienated world, and horror reflected those freights in the form of nuclear holocausts, toxic waste pollution, alien clown invaders and undead houseguests. Everyone was at risk - teenagers especially - because their present and future remained most uncertain. If we can agree that such feelings underpinned American viewers in the age of Reagan and neo-liberalism, then what about late socialism? How did film makers depict Soviet society's fears?

Orthodoxy has achieved a large scale revival in Russia following the collapse of Communism. However, paradoxically, although there is a high level of identification with Orthodoxy, there is in fact a low level of church attendance. This book, based on in depth ethnographic fieldwork, explores the social background and moral attitudes of the "little flock" of believers who actively participate in religious life. It reveals that the complex moral beliefs of the faithful have a disproportionately high impact on Russian society overall; that among the faithful there is a strong emphasis on striving for personal perfection; but that also there are strong collective ideas concerning religious nationalism and the synergy between the secular and the religious.