A Tale of Art and Obsession Brilliant illuminator of artistic truths. Failed lover. Provocative critic of social injustice. Raving lunatic. John Ruskin was all these things. Light, Descending brings to life Victorian art and social critic John Ruskin (1819-1900), a passionate and tormented genius whose career as art critic, social reformer, and benefactor and nemesis to some of the greatest names of 19th century art ended in near-universal public acclaim - and madness. Octavia Randolph, author of the best-selling The Circle of Ceridwen Saga, portrays Ruskin's artistic genius, political struggles, and frustrated private passions in a vivid and haunting recounting of the great man's life. From his life-long defence of the painter JMW Turner, to Ruskin's unconsummated marriage to Effie Gray, to his patronage of artists Dante Gabriel Rossetti and his fiancee, Lizzie Siddal, and Lizzie's death by self-administered drug overdose; to Ruskin's love affair with the teenaged Rose LaTouche, and her early death, which broke Ruskin's mind; and the infamous libel trial brought against Ruskin by James McNeill Whistler, Light, Descending sweeps the reader from bustling London to a decaying Venice to wild Alpine heights as it chronicles Ruskin's ecstatic triumphs and blighted happiness. Based on letters, diary entries, and Ruskin's own voluminous published writings, and peopled with some of the most compelling personalities of the 19th century, Light, Descending is a tour-de-force novel about the man Mohandas Gandhi said "made me transform my life." Includes Book Group Discussion Guide."

Effie Gray, a beautiful and intelligent young socialite, rattled the foundations of England's Victorian age. Married at nineteen to John Ruskin, the leading art critic of the time, she found herself trapped in a loveless, unconsummated union after Ruskin rejected her on their wedding night. On a trip to Scotland she met John Everett Millais, Ruskin's protégé, and fell passionately in love with him. In a daring act, Effie left Ruskin, had their marriage annulled and entered into a long, happy marriage with Millais. Suzanne Fagence Cooper has gained exclusive access to Effie's previously unseen letters and diaries to tell the complete story of this scandalous love triangle. In Cooper's hands, this passionate love story also becomes an important new look at the work of both Ruskin and Millais with Effie emerging as a key figure in their artistic development. Effie is a heartbreakingly beautiful book about three lives passionately entwined with some of the greatest paintings of the pre-Raphaelite period.

We have to find our way back to beauty," writes Lars Spuybroek in the introduction to The Sympathy of Things. In this book Spuybroek argues that we must "undo" the twentieth century - the age in which the sublime turned from an art category into a technical reality. This leads him to the aesthetical insights of the nineteenth-century English art critic John Ruskin, from which he distils pointers for our time. In The Sympathy of Things, the old romantic notion of sympathy, a core concept in Ruskin's aesthetics, is re-evaluated as the driving force of the aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century. Spuybroek addresses the five central dual themes of Ruskin in turn: the Gothic and work, ornament and matter, sympathy and abstraction, the picturesque and time, ecology and design. He wrests each of these themes from the Victorian era and compares them with the related ideas of later aestheticians and philosophers like William James and Bruno Latour.

From Henry David Thoreau to Bill McKibben, critics and philosophers have sought to demonstrate how a life without constant growth might still be rich and satisfying. Yet one crucial episode in the history of sustainability has been largely forgotten. "Green Victorians" recovers the story of a small circle of men and women led by political economist and art critic John Ruskin. "Green Victorians" explores how Ruskin s most enthusiastic followers turned his theory into practice in a series of ambitious local projects ranging from painting, hand-weaving, and wood-working to gardening, archaeology, story-telling, and children s education. This is a lively yet unsettling story, for while those in Ruskin s experimental community established a thriving handicraft industry and protected the Lake District from over-development, they paid a price. Richly illustrated, "Green Victorians" breaks new ground by connecting the ideas and practices of Ruskin s utopian community to the problems of ethical consumption then and now. "