'The Rush for the Spoil' is the second novel in Zola’s 'Les Rougon-Macquart' series. It is set in Paris during the reign of Napoleon III and focuses on the modernization and evisceration of the ancient city. Aristide Rougon leaves the countryside for the city in order to climb the social hierarchy and improve his financial conditions - but what lengths is he wiiling to go? It is in this artificial world at the turn of the 20th century where Aristide’s wife Renne steps in, a diametric opposite personality to her husband. Depicting the greed of its main characters combined with their cynical attitudes, this is a dark, disturbing yet highly engaging read with an ironic and chilling finale. It's an example of Zola at his best: prose that is strong and compelling yet poetic and atmospheric, as well as psychologically complex characters - Zola's hallmark social critique and a heavy dose of sensationalism. Acclaimed writers that cite Zola among their main influences include Tom Wolfe, Truman Capote, and Gay Talese. Émile Zola (1840-1902) was a French novelist, journalist, and playwright, and one of the most important representative of French naturalism. His literary topics include violence and its repercussions, alcoholism, and the problems within the family unit. Zola was nominated twice in the first two instances of the Nobel Prize in Literature.

'It was the time when the rush for spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.' The Kill (La Curée) is the second volume in Zola's great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris - the capital of modernity - as the centre of Zola's narrative world. Conceived as a representation of the uncontrollable 'appetites' unleashed by the Second Empire (1852-70) and the transformation of the city by Baron Haussmann, the novel combines into a single, powerful vision the twin themes of lust for money and lust for pleasure. The all-pervading promiscuity of the new Paris is reflected in the dissolute and frenetic lives of an unscrupulous property speculator, Saccard, his neurotic wife Renée, and her dandified lover, Saccard's son Maxime. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.