Elizabeth Helsinger's iconoclastic book explores the peculiar power of rural England to stand for conflicting ideas of Britain. Despite the nostalgic appeal of Constable's or Tennyson's rural scenes, they record the severe social and economic disturbances of the turbulent years after Waterloo. Artists and writers like Cobbett, Clare, Turner, Emily Brontë, and George Eliot competed to claim the English countryside as ideological ground. No image of rural life produced consensus over the great questions: who should constitute the nation, and how should they be represented? Helsinger ponders how some images of rural life and land come to serve as national metaphors while others challenge their constructions of Englishness at the heart of the British Empire. Drawing on recent work in social history, nationalism, and geography, as well as the visual and literary arts, Helsinger recovers other possible and alternative readings of social ties embedded in the imagery of land. She reflects on the power of rural images to transfer local loyalties to the national scene, first popularizing then institutionalizing them. By turning a critical gaze on these scenes, she comments on the difference between art and ideology, and the problems and dangers of asserting any kind of national identity through imagery of the land. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book examines the English rural community, past and present, in its variety and dynamism. The distinguished team of contributors brings a variety of disciplinary perspectives to bear upon the central issues of movement and migration; the farm family and rural labour force; the development of contrasting rural communities; the portrayal of rural labour in both 'high' and popular culture; the changing nature of religious practice in the English countryside; the rural/urban fringe, and the spread of notions of a rural English arcadia within a predominantly urban society. Fully illustrated with accompanying maps, paintings and photographs, The English Rural Community provides an important and innovative overview of a subject where history, myth and debate are inseparably entwined. A full bibliography will assist a broad range of general readers and students of social history, historical geography and development studies approaching the subject for the first time, and the whole should establish itself as the central analytical account in an area where image and reality are notoriously hard to unravel.

The rural has long been regarded as an important site of geographical inquiry even if our understanding of it has not always been treated as conceptually different from the urban. That said, rural research has pursued a number of distinct empirical agendas ranging from the operation and impacts of agribusiness, to local resistance to global food supply chains, to differing representations of the rural. In doing so, rural geographers have critically examined the relevance and significance of ideas drawn from numerous traditions including political economy, ecological modernization and cultural theory, amending them as appropriate, in their search to understand the nature and trajectory of rural areas. Up until the 1980s, attention remained largely focused upon agriculture as the primary land-use but increasingly new forms of rural consumption - housing, recreation, nature conservation - have taken centre stage as the primacy of local agricultures has been undermined by reduced state protection and 'new' rural populations which have migrated out from the city. More recently, research has been dominated by the 'cultural turn' with particular emphases upon society-nature relations, interpretations of landscape, marginalised others, and analyses of the relations between representation and practice. In the last decade, a more holistic view of the rural, bringing together different aspects of the two previous themes, has emerged through more politically-oriented studies of rural governance concerned with the functioning of interest groups, participation, protest and the allocation and management of resources. The volume is thus structured into three sections concerned with agriculture and food, the rural, and rural governance. The great majority of the selected papers combine both empirical material - often highly informative case studies - and important conceptual arguments about change in the rural condition that can be linked to ideas being employed elsewhere in Geography and the Social Sciences more generally. These critical reflections have been drawn very largely from research conducted in advanced economies which at least provide some commonality of experience allowing the transfer of ideas between what otherwise might be seen as very differing geographical contexts.

This popular anthology provides a collection of the most significant Victoran verse xxx; including some minor figures notably John Clare, Emily Bronte and James Thomson. Fully annotated, this collection contains introductions to individual poets, headnotes to the poems and full and informative footnotes. It represents Victorian poetic taste at its best and is the ideal companion for everyone interested in poetry of the period.

Traces the growth of outdoor recreation and reviews the nature of present demands and the resources of land and water available in both town ad country for recreational use.