On March 29, 1971, a Canadian was found brutally murdered in a small Paris apartment. The victim, François Mario Bachand, was a radical member of the separatist Front de Libération du Québec (FLQ), the terrorist group that had been causing havoc in Canada, planting bombs and carrying out kidnappings. Bachand served a jail term in the early 1960s, and after his release he was considered a loose cannon, heartily despised by many associates. It was widely believed that the FLQ had killed one of its own. Twenty years after Bachand died in Paris, author Michael McLoughlin came across a single document in the National Archives of Canada that shed an eerie new light on the circumstances of Bachand's death. The murder, McLoughlin discovered, was not so simple after all. And the deeper he dug, the more complicated - and disturbing - the case became. Last Stop, Paris analyzes the shocking circumstances surrounding Bachand's murder. McLoughlin carefully reconstructs the secret meeting that determined Bachand's fate and the events that led to his assassination on the March day in Paris. It also follows the movements of the FLQ and the RCMP Security Service, and reveals the close international connections that tied revolutionary groups of the later 1960s and 1970s - from Cuba to Europe to the Middle East - to underground agents of the CIA, MI5, and French intelligence. A revealing look at the international web of terrorism and government intelligence, Last Stop, Paris is an explosive examination of the secrets, betrayals and violence that characterized the most tumultuous period in Canada's recent history.

This engaging history of rural England and Wales during the twentieth century looks at the role of the countryside as both a place of work and of leisure and looks at the many crises it has suffered during that time.

Chapters on The Country Church, Rural Funerals, The Stage Coach, Stratford-on-Avon, John Bull, The Angler, and more. Washington Irving ( 1783 - 1859 ), born in New York, was the son of a wealthy British merchant who, following a visit to England, published a volume of essays and tales, The Sketch Book ( 1820 ), containing pieces on both English and American life, and thereby earned himself celebrity on two continents. He is widely believed to be the first American author to earn his living solely through his writings and the first to enjoy international acclaim.

For the past century, governments have been compelled, time and again, to return to the search for solutions to the housing and economic challenges posed by a restructured countryside. This book provides an analysis of the complexity of housing and development tensions in the rural areas of England, Wales, and Scotland. It looks at a range of topics related to community and planning issues, including attitudes to rural development, economic change, land use, planning, and counter-urbanization. The Rural Housing Question emphasizes the need for serious debate on government's rural housing policies and on the broad approach to development and communities in the countryside.

Recent research into a self-taught tradition of English rural poetry has begun to offer a radically new dimension to our view of the role of poetry in the literary culture of the eighteenth century. In this important new study John Goodridge offers a detailed reading of key rural poems of the period, examines the ways in which eighteenth-century poets adapted Virgilian Georgic models, and reveals an illuminating link between rural poetry and agricultural and folkloric developments. Goodridge compares poetic accounts of rural labour by James Thomson, Stephen Duck, and Mary Collier, and makes a close analysis of one of the largely forgotten didactic epics of the eighteenth century, John Dyer's The Fleece. Through an exploration of the purpose of rural poetry and how it relates to the real world, Goodridge breaks through the often brittle surface of eighteenth-century poetry, to show how it reflects the ideologies and realities of contemporary life.

Attractive marginal illustrations in this celebrated psalter show scenes of life in medieval England: the annual cycle of growing crops, domestic animals, sports, pastimes, entertainers and musicians.