This volume brings together scholars based predominantly in Asia to contribute provocative and experimental essays on the dynamic relationship between animation and philosophy. In an inventive and playful philosophical way, they address not only the mainstay of Japanese animation, but also Korean film, picture books and Mickey Mouse to understand what we might call film-philosophy in Asia. In thinking animation with concepts from the technicolour philosophies of Deleuze, Guattari, Stiegler, Benjamin, Kristeva and Heidegger, the book sees animation not as a representation of a philosophical idea per se, but conceptualizes it as a philosophical thinking-device. In the images themselves, what is at work is not just the thinking of a particular director or manga artist, but, rather, thinking as such, through and by the images themselves. The scholars in this collection are committed to thinking images themselves as thought-experiments and thinking machines.

"Dazai's brand of egoistic pessimism dovetails organically with the emo chic of this cultural moment and with the inner lives of teenagers of all eras." —Andrew Martin, The New York Times Best-known for his novels No Longer Human and The Setting Sun, Dazai was also an acclaimed writer of short stories, experimenting with a wide variety of styles and bringing to each work a sophisticated sense of humor, a broad empathy for the human condition and a tremendous literary talent. The twenty stories in this collection include: Memories — An autobiographical tale in which Dazai relates episodes from his own childhood and adolescence, showing his relationship with his family and his tendency towards introspection and self-dramatization On the Question of Apparel — A comic tour-de-force in which Dazai examines the hold that fashion has over him and how it relates to his own pathetic self-image A Poor Man's Got His Pride — A retelling of a story by 18th-century master of burlesque fiction Ihara Saikaku, about a fallen samurai who lives in poverty The Sound of Hammering — A love story set against the backdrop of the rebuilding of Tokyo after the city was totally destroyed during World War Two And sixteen other stories! By turns hilarious, ironic, introspective, mystical and sarcastic, these stories present a fully rounded portrait of a talented writer who tried several times to take his own life and ultimately succeeded. An introduction by translator James O'Brien gives the background to Dazai's life and shows how the stories in this book, whether autobiographical or fictional, contribute to an understanding of one of Japan's greatest writers. **Recommended for readers 16 years & up. Not intended for high school classroom use due to adult content.**

From the best-selling author of The Wind-Up Bird Chronicle and After Dark, a rich and revelatory memoir about writing and running, and the integral impact both have made on his life. In 1982, having sold his jazz bar to devote himself to writing, Haruki Murakami began running to keep fit. A year later, he’d completed a solo course from Athens to Marathon, and now, after dozens of such races, not to mention triathlons and a slew of critically acclaimed books, he reflects upon the influence the sport has had on his life and—even more important—on his writing. Equal parts training log, travelogue, and reminiscence, this revealing memoir covers his four-month preparation for the 2005 New York City Marathon and includes settings ranging from Tokyo’s Jingu Gaien gardens, where he once shared the course with an Olympian, to the Charles River in Boston among young women who outpace him. Through this marvellous lens of sport emerges a cornucopia of memories and insights: the eureka moment when he decided to become a writer, his greatest triumphs and disappointments, his passion for vintage LPs and the experience, after the age of fifty, of seeing his race times improve and then fall back. By turns funny and sobering, playful and philosophical, What I Talk About When I Talk About Running is both for fans of this masterful yet guardedly private writer and for the exploding population of athletes who find similar satisfaction in distance running.

Crackling Mountain and Other Stories features eleven outstanding works by Osama Dazai, widely regarded as one of the 20th century Japan's most gifted writers. Dazai experimented with a wide variety of short story styles and brought to each a sophisticated sense of humor, a broad empathy for the human condition, and a tremendous literary talent. The eleven stories in this collection of Japanese literature present the most fully rounded portrait available of a tragic, multifaceted genius of modern Japanese letters.

'Life is a drama of encounters', writes Daisaku Ikeda at the beginning of this dialogue: 'Beautiful encounters. Momentary encounters. Each person's drama is unique.' This particular encounter, between a celebrated Chinese novelist and prominent Japanese religious leader, illustrates the truth of that reflection. For in the discussion that stemmed from their meetings, Jin Yong (who is sometimes called 'the Asian Dumas') and Daisaku Ikeda were able to find remarkable common ground - what they refer to as a 'karmic bond' - resulting from the particularity of their experiences in wartime and mutual resistance to adversity. Ranging across a variety of engaging themes, the interlocutors explore such topics as the nature of friendship; theories of civilization; world literatures that have inspired them; the importance of free speech; Buddhist perspectives on life and death; and the spiritual search for truth. There is sustained reflection on the horrors of war, and a plea for the importance of memory: Daisaku Ikeda emphasises that 'peace is a battle against forgetfulness', while Jin Yong echoes this in his observation that 'most important is to strive to avoid war, whether it is between countries and whether it be domestic, and thus to enable people to build and improve their lives in a peaceful environment.' Cultural differences between the peoples of China and Japan are explored, sometimes amusingly, with the Japanese propensity for discipline and rules contrasted with the Chinese spirit of creative individualism. But the authors are focused above all on serious issues of meaning and identity, and they reveal the mutual solace both have found - in the face of personal loss and bereavement - in the Buddhist scriptures, especially the Lotus Sutra. Demonstrating a remarkable capacity for empathy throughout, they incarnate in their lives and work an intelligent and sympathetic compassion that represents a beacon of hope to the future direction of Sino-Japanese relations.

HUDDLING Pen the Penguin tries his best for Hayakawa the Human, but everything he does backfires… He gets trapped overnight at a haunted inn, gets stuck in a time loop with a baby chick, and gets mixed up with the other penguins at the aquarium! Somebody give this bird a break! FINAL VOLUME!