The main story of Rukmini and the Turning of Time takes place before, during and after the Mahabharata War, an event that marked the ending of one era and the beginning of another – a time when spiritual knowledge was decreasing but material development increasing. The story begins in the ancient city of Dwarka, India and is told through the voice of a dancer of that time. It is a story about Rukmini, who is said to be the rebirth of Mata Sita, both of whom are avatars of the great deity Narayani. Although Rukmini is the consort of the much beloved Bhagavan Krishna, her story has been lost in time, but it is essential now to recall her as the energy and presence of the divine female incarnations is so critical for the healing and evolution of human society. As with all of Dena Merriam’s books, this story explores the complex and wondrous workings of cause and effect, the law of karma, as it guides and shapes our lives. But it is also a story of love, one that transcends time and place and that persists from one incarnation to the next. As we leave one form and take another through the laws of rebirth, we bring with us our love, the relationships that have left deep impressions and that have helped in our awakening. This tale follows the dancer of Dwarka through a series of rebirths, as she unknowingly carries with her the love and teachings of Rukmini, who patiently and silently guides her evolution. It is a story that applies to each one of us, because we all participate in this great cosmic dance of love as the illusion of time keeps turning.

My Journey Through Time is a spiritual memoir that sheds light on the workings of karma— the law of cause and effect that creates one’s present circumstances and relationships—as we see it unfold through Dena’s vivid memories of her previous births. We travel back in time as Dena learns of a life in early 20th century Russia, ranging from the overthrow of the Czar through Nazi Germany; then it’s back further to a life in early 19th century America in the Deep South, and before that to a time in Africa in the early 18th century. Her lives in the East—in Persia, Japan, and India—go back to the 15th-17th centuries. With each past life, we can see the way in which it has impacted her present life, how it has stemmed from the end of the previous birth, and how it will influence her next life. Dena Merriam is the founder of an interfaith organization, the Global Peace Initiative of Women. A long-time disciplined meditator, Dena’s access to her past lives brings a clearer awareness and purpose to her present life, and also overcomes any fear of death. The memories are triggered when Dena meets a new person or visits a new place in her current life. The memories bring remembrances of past suffering, but also recollections of spiritual teachers and wise guidance. She has not used and does not advocate past-life regressions or hypnosis as a way to prompt memories to return. Dena has decided to share her story, despite being a very private person, in hopes that it can provide comfort and awaken the inner knowing of your own ongoing journey through time.

A compelling past-life memoir that will open you to the mysteries and promises of your own spiritual journey When the Bright Moon Rises is first and foremost a love story—love between the sages and the cosmic forces known as the deities, love of the sages for the people, and love between individuals seeking to express this universal force of love that exists within all of us. It is also a study of karma, the cosmic law of cause and effect. This narrative begins in Vedic India, around the 9th century BCE, with the meeting of two people and the seeding of a love that cannot be fulfilled but which comes to fruition nearly 10,000 years later during the Tang Empire in China, where they are reborn as the renowned poet Li Bai and his poet wife. The awakening of her memories of previous births initiates an inner struggle that is only resolved under the guidance of her Daoist Master. This is her story.

Rukmini Pande’s examination of race in fan studies is sure to make an immediate contribution to the growing field. Until now, virtually no sustained examination of race and racism in transnational fan cultures has taken place, a lack that is especially concerning given that current fan spaces have never been more vocal about debating issues of privilege and discrimination. Pande’s study challenges dominant ideas of who fans are and how these complex transnational and cultural spaces function, expanding the scope of the field significantly. Along with interviewing thirty-nine fans from nine different countries about their fan practices, she also positions media fandom as a postcolonial cyberspace, enabling scholars to take a more inclusive view of fan identity. With analysis that spans from historical to contemporary, Pande builds a case for the ways in which non-white fans have always been present in such spaces, though consistently ignored.

The popular Indian hero Krishna's marriage was as exciting an event as so many others in his life. It is a popular lovers' tale, rather unique in India. Marriages in India have traditionally been set by parents. However, princely families sometimes he

As with all of Dena Merriam's books, To Dance with Dakinis is a study of the universal law of cause and effect, how events in our life, our deeds, thoughts and reactions impel the process of rebirth. The story begins in 12th century Tibet, with a woman's search for the Goddess and the deeper truths of life. A crisis that she encounters leads her to a great Master who helps awaken memories of her previous life in medieval France and a much earlier life in China, during which events were set in motion that led her to the crisis she now faced. The book follows her through death, the time between earthly rebirths and then her rebirth in India, where she brings to conclusion unfinished matters from her life in Tibet. In the process of her journey, great teachings are conveyed, teachings that we can all apply to our lives today.

Fandom, Now in Color gathers together seemingly contradictory narratives that intersect at the (in)visibility of race/ism in fandom and fan studies. This collection engages the problem by undertaking the different tactics of decolonization—diversifying methodologies, destabilizing canons of “must-read” scholarship by engaging with multiple disciplines, making whiteness visible but not the default against which all other kinds of racialization must compete, and decentering white fans even in those fandoms where they are the assumed majority. These new narratives concern themselves with a broad swath of media, from cosplay and comics to tabletop roleplay and video games, and fandoms from Jane the Virgin to Japan’s K-pop scene. Fandom, Now in Color asserts that no one answer or approach can sufficiently come to grips with the shifting categories of race, racism, and racial identity. Contributors: McKenna Boeckner, Angie Fazekas, Monica Flegel, Elizabeth Hornsby, Katherine Anderson Howell, Carina Lapointe, Miranda Ruth Larsen, Judith Leggatt, Jenni Lehtinen, joan miller, Swati Moitra, Samira Nadkarni, Indira Neill Hoch, Sam Pack, Rukmini Pande, Deepa Sivarajan, Al Valentín