Mr. Collins is rightly angered when Elizabeth Bennett refuses his honorable offer of marriage.Sadly that is the last emotion he experiences.Which gives the gossips of Meryton a delightful piece of news to gossip over - Miss Elizabeth Bennett has pushed her cousin, her father's heir, down the stairs to his death!Elizabeth Bennett, Murderess? Oh, shocking, shameful scandal. Someone must speak for her before she is ruined forever.Fortunately, a new arrival in the neighborhood - a Mr. Darcy - read law at Cambridge and is willing to be of use to Miss Elizabeth.

New folk music and folk-song materials in this comprehensive study are particularly important for singers, folk music enthusiasts, ethnomusicologists, comparative and cultural studies scholars, and those interested in Canadian culture. LaRena Clark was a great singer and knew many fine songs. Her wide repertoire covers almost the complete range of types and topics of traditional Anglo-Canadian songs. Comparison with other collections in Canada, the United States, the British Isles, and Australia indicate just how unique and far-reaching it was. Clark's background and her varied ancestry shaped her repertoire. The account of her parents' activities gives a vivid picture of folk life in rural Ontario during the early years of this century. She knew some Canadian songs previously unreported, and she wrote songs with a strong Canadian flavour. Musically, Clark's songs are a microcosm of practices characteristic of British folk music throughout the English-speaking world. Particularly noteworthy is her constant reworking of traditional materials, procedures, forms, and individual tunes.

This is a collection of poems and journal entries written over the span of seven years that tell most of the story of some of Michael’s most formative years. After trying to grieve the loss of his best friend, deal with the addictions his mother suffers, as well as navigating many young love romances, Michael, turns to his old journals and starts collecting the poetry he’s written. For the sake of clarity, the Him parts are written to be about one great love but he is made of a combination of many. Despite promising himself to be the one to break his family’s generational legacy of trauma and addiction, while alone at a low point, he disappoints himself and proves himself wrong. Michael must now build himself back up from the ground before the dirt can fill his grave with him in it. He must remind himself that everything happens for a reason and that there is no such thing as the wrong person, place, or time because all of those things made him who he is.