Vanessa has known a hard and lonely life. Born with eyes as light as the moon reflection itself many believe her to be cursed by the Moon Goddess. Her life drastically changes when she is chosen to work for the mighty Italian wolf pack run by Alpha Don Lorenzo. Sucked into a world of violence, crime, and male privilege, Vanessa realizes she is done being the lowest of the pack. She decides it is time for the world to feel the power of the She-Wolf.

The outcome from a destined great war between humans and creatures will be decided by the courage and emotions of a few honourable and worthy individuals. Raven is the last blood line descendent from the greatest wizard known as Grackle, and he has found himself living in a time of endless uncertainty, magic and sorcery between the humans and a terrifying creature race residing upon the mysterious Planet of Phoenix. Significant emotional elements, bravery, hatred and love are the fundamental factors for either the humans or the creatures surviving existence during this epic adventure.

In early 1958, in the far northern town of Cornucopia, Wisconsin's "last" timber wolf was accidentally run over by an automobile. The "humane" intention to end the animal's suffering produced a grisly aftermath: the wolf survived the impact of the car, was bludgeoned with a tire iron twice but survived, and finally had its throat slit with a restaurant knife. This horrifying scene is certainly an apt (if appalling) symbol of the timber wolf's early fate in Wisconsin. Feared, detested, hunted down for state-authorized bounties, the animal was systematically exterminated as an enemy of man and progress. Yet this bleak chapter in the history of conservation has a happier ending. Seventeen years later, in 1975, the timber wolf had officially reestablished itself and, as a protected species, is now flourishing under the care of Wisconsin's Department of Natural Resources. Few can be more caring than the author, a DNR educator in wildlife management. As an inquisitive teenager, Richard Thiel began his pursuit of the Wisconsin timber wolf's story in the mid-1960s and has been at it ever since. The result is this arresting, intensely readable book, a story of fear, mistrust, and misunderstanding that ends, thankfully, as one of hope and appreciation.

Jake is Midnight Forest Pack's Beta, incredibly popular and handsome, always surrounded by friends, and is successful in business and as his role in pack as Beta. Yet part of his life feels incomplete. Seeing all of his friends settled down with their mates and now having children, Jake can't help but wonder where he went wrong or think if he will forever be alone. Avoidance seems to be the best tactic, and Jake pushes himself harder into work, where an unexpected encounter at a business meeting gets his heart racing and turns his life upside down. Rose, this seemingly perfect, beautiful fated mate of his, has somewhat of an unusual reaction to meeting her mate. Are you meant to be doing your best to avoid your new mate? Or be keeping secrets from him? Not to mention Rose comes from the other side of the world and plans to head home as soon as she can, with promises of keeping in touch, and working things out with time and space. Jake is just happy to finally have his mate, and willing to do all he can to have her by his side. Would Jake be willing to leave all he knows for fate? Or could it be the moon goddess made a mistake, and Jake is better off alone? Or is there a better match out there for him?

This is an interdisciplinary examination of depictions of girlhoods through a comparative study of foundational fairy tales revised and reimagined in popular narrative, film, and television adaptations. The success of franchises such as The Hunger Games, Twilight and Divergence have re-presented the young heroine as an empowered female, and often a warrior hero in her own right. Through a selection of popular culture touchstones this empowerment is questioned as a manipulation of feminist ideals of equality and a continuation of the traditional vision of female awakening centering on issues of personal choice, agency, physical violence, purity, and beauty. By investigating re-occurring storytelling frameworks and archetypes, Untaming Girlhoods examines different portrayals of girlhoods in the 20th- and 21st-century Anglo-American cultural imaginary that configure modern girlhoods, beyond the fairy-tale princess or the damsel in distress, into refigurations that venture away from the well-trodden path for a new breakaway path to authentic selfhood. This will be a useful and enlightening text for students and researchers in Girlhood Studies, Gender Studies, Film Studies, Popular Culture and Media Studies.