A hilarious collection of Hercule Van Wolfwinkle's 'extremely realistic' pet portraits. Warning: may not be suitable for anyone who actually likes animals or has the ability to see.

This volume brings together the vital contributions of distinguished past and contemporary philosophers to the important topic of personal identity. The first part sets forth the attempts by John Locke, Anthony Quinton, and H. P. Grice to analyze personal identity in terms of memory. The eleven other selections are largely critical of this approach and provide alternative perspectives. Part II contains classic contributions by Joseph Butler, Thomas Reid, and Sydney S. Shoemaker, and a new paper by John Perry--"Personal Identity, Memory, and the Problem of Circularity"--in which he defends some of the central features of the Locke-Grice-Quinton approach. Part III contains three sections from David Hume's Treatise of Human Nature: "Our idea of Identity," "Of Personal Identity," and an appendix which the editor has entitled "Second Thoughts." In the fourth part of the volume, Bernard Williams discusses "The Self and the Future," and Derek Parfit contributes his view of "Personal Identity." A recurring theme throughout the work is the possibility of "body transfer"--of a single person having, at different times, different bodies. In the final section of the volume ("Brian Bisection and the Unity of Consciousness"), Thomas Nagel examines the philosophical implications of recent scientific research on split-brain patients' he discusses the possibility, entertained by some researchers, that such cases involve two persons simultaneously inhabiting a single body. In his long introduction to this unique anthology on a topic of prime interest to the philosophical community, Mr. Perry scrutinizes the differing approaches and vocabularies of the various authors. The editor also includes "Suggestions for Further Reading."

Join one little girl named Josette as she searches 1920s Paris to find the best artist to paint a portrait of her stuffed-animal rabbit, Pepette. After seeing all the fine portraits of her family in her house in Paris, Josette decides that her stuffed-animal rabbit Pepette needs a portrait of her own. The two of them set off for Montmartre, the art center of 1920s Paris, to seek out an artist to paint Pepette's portrait. They encounter Pablo Picasso, Salvador Dalí, Marc Chagall, and Henri Matisse, who all try their hand at capturing the rabbit. Picasso gives Pepette two noses and three ears-which doesn't sit well with Josette. Dalí gives Pepette very droopy eyes-so Josette says "no thank you" and moves on. Chagall paints Pepette flying through the clouds. Josette points out that Pepette doesn't fly and is afraid of heights-so they decide to keep going through the square. When they meet Matisse, he paints Pepette pink, with lots of colorful dots and splashes covering the canvas. It's a beautiful piece of art, but it's not Pepette. Giving up, Josette and Pepette make their way home. Josette is upset that no one was able to no one was able to capture the true essence of Pepette. Who could capture her soft gray ears, her heart-shaped nose, and all her wonderfulness? And then it comes to her-she, Josette, is the perfect person to do this.

In her acclaimed novels, Susan Vreeland has given us portraits of painting and life that are as dazzling as their artistic subjects. Now, in The Forest Lover, she traces the courageous life and career of Emily Carr, who—more than Georgia O'Keeffe or Frida Kahlo—blazed a path for modern women artists. Overcoming the confines of Victorian culture, Carr became a major force in modern art by capturing an untamed British Columbia and its indigenous peoples just before industrialization changed them forever. From illegal potlatches in tribal communities to artists' studios in pre-World War I Paris, Vreeland tells her story with gusto and suspense, giving us a glorious novel that will appeal to lovers of art, native cultures, and lush historical fiction.

The must-have photography monograph of the year, this lavish oversized volume celebrates David Yarrow's unparalleled wildlife imagery. For more than two decades, legendary British photographer David Yarrow has been putting himself in harm's way to capture immersive and evocative photography of the world's most revered and endangered species. With his images heightening awareness of those species and also raising huge sums for charity and conservation, he is one of the most relevant photographers in the world today. Featuring Yarrow's 150 most iconic photographs, this book offers a truly unmatched view of some of the world's most compelling animals. The collection of stunning images, paired with Yarrow's first-person contextual narrative, offers insight into a man who will not accept second best in his relentless pursuit of excellence. David Yarrow Photography offers a balanced retrospective of his spectacular work in the wild and his staged storytelling work, which has earned him wide acclaim in the fine-art market. Yarrow rarely just takes pictures--he almost always makes them. This approach sets him apart from others in the field. Yarrow's work will awaken our collective conscience, and--true to form--he plans to donate all the royalties from this book to conservation

National bestselling book: Featured on Midwest, Mountain Plains, New Atlantic, Northern, Pacific Northwest and Southern Regional Indie Bestseller Lists Perfect book for the birder and anti-birder alike A humorous look at 50 common North American dumb birds: For those who have a disdain for birds or bird lovers with a sense of humor, this snarky, illustrated handbook is equal parts profane, funny, and—let's face it—true. Featuring common North American birds, such as the White-Breasted Butt Nugget and the Goddamned Canada Goose (or White-Breasted Nuthatch and Canada Goose for the layperson), Matt Kracht identifies all the idiots in your backyard and details exactly why they suck with humorous, yet angry, ink drawings. With The Field Guide to Dumb Birds of North America, you won't need to wonder what all that racket is anymore! • Each entry is accompanied by facts about a bird's (annoying) call, its (dumb) migratory pattern, its (downright tacky) markings, and more. • The essential guide to all things wings with migratory maps, tips for birding, musings on the avian population, and the ethics of birdwatching. • Matt Kracht is an amateur birder, writer, and illustrator who enjoys creating books that celebrate the humor inherent in life's absurdities. Based in Seattle, he enjoys gazing out the window at the beautiful waters of Puget Sound and making fun of birds. "There are loads of books out there for bird lovers, but until now, nothing for those that love to hate birds. The Field Guide to Dumb Birds of North America fills the void, packed with snarky illustrations that chastise the flying animals in a funny, profane way. " – Uncrate A humorous animal book with 50 common North American birds for people who love birds and also those who love to hate birds • A perfect coffee table or bar top conversation-starting book • Makes a great Mother's Day, Father's Day, birthday, or retirement gift