A seamstress who specializes in historical detail, Daria Dembrowski is happy to welcome the Highland Games to town—it’s all fun and games until someone gets “kilt.” Daria’s roommate, Aileen, plays guitar in a metal band, but one of her bandmates is branching out musically and asks Daria to craft a kilt for an upcoming bagpipe competition. The locals in Laurel Springs, Pennsylvania, are really looking forward to the Highland Games, and the Scottish regalia needs to be just right. Then one of the athletes collapses during the event, a victim of poisoned whiskey. As suspicion spreads and the police turn their attention to Aileen, Daria vows not to let the real killer get off scot-free . . .

Historical seamstress Daria Dembrowski has her work cut out for her as she searches for a killer's pattern . . . Daria has come up with a brilliant new plan to expand her seamstress business beyond stitching wedding gowns—historical sewing. And with Civil War re-enactors setting up camp in her hometown of Laurel Springs, Pennsylvania, she has plenty of opportunities, including one client playing a Confederate colonel who's a particular stickler for authenticity. But soon the small-town peace starts coming apart at the seams as an antique doll is stolen from a Civil War exhibit and the cranky colonel is found impaled by his own bayonet. When Daria's brother is suspected of the theft and a bridal client's fiancé is accused of the murder, Daria is determined to untangle the clues to prove their innocence. She needs to get this case sewn up fast, though, before the murderer re-enacts the crime and makes her history.

How can pictorial and narrative arts be compared? What in principle can or cannot be communicated in such different media? Why does it seem that, at its best, artistic communication goes beyond the limitations of its own medium - seeming to think and to communicate the uncommunicatable? In Philosophy and the Arts Andrew Harrison explores these questions. He finds that an understanding of art leads to a richer understanding of what it is to be human. Much of what misleads or baffles us in the arts is what puzzles us about ourselves - the issues raised by art are thus central to philosophy.

A daredevil prince wants to pay me mega-bucks to train him to hold his breath underwater for ten minutes? Sign me up. Except I’m a magician, not a stunt consultant. My record-beating dive without air was a trick. Of course, I can’t tell that to my client, the royally hot Anatolio Cezaroff, a.k.a. Tigger. Not if I want to be able to pay my rent. Also, I’m not exactly comfortable around germs. All germs, including those lurking on uber-attractive men. So falling for my gorgeous client is out of the question, and I fully intend to keep my distance. That is, until he offers to train me in bed. NOTE: This is a standalone, raunchy, slow-burn romantic comedy featuring a movie-obsessed, germaphobic heroine who's dying to be a famous magician, a scorching hot Ruskovian prince who loves to live on the edge, and two oversized dogs who may or may not have caused said prince's wardrobe malfunction. If any of the above is not your cup of tea, run far, far away. Otherwise, buckle in for a laugh-out-loud, feel-good ride.

The reprint of Wilkin's classic book on the megaliths and mysteries of South America. This book predates Wilkin's book Secret Cities of Old South America published in 1952. Mysteries of Ancient South America was first published in 1947 and is considered a classic book of its kind. With diagrams, photographs and maps, Wilkins digs into old manuscripts and books to bring us some truly amazing stories of South America: a bizarre subterranean tunnel system; lost cities in the remote border jungles of Brazil; legends of Atlantis in South America; cataclysmic changes that shaped South America; and other strange stories from one of the world's greatest researchers.

The Witcher meets D&D in the first book of this epic fantasy adventure where a warrior priest must suddenly protect his world from monsters that were once only legend from USA Today bestselling author David Dalglish. Devin Eveson is a Soulkeeper, traveling through remote villages as a preacher and healer. But when a mysterious black water washes over the world, the veil is torn, flooding the land with ancient magic and forgotten races: fire that dances as if alive, corpses that walk, and creatures that can manipulate time itself. And not all the creatures that have re-awakened remember humanity fondly. As the land grows more dangerous and more chaotic, Soulkeepers are turning up dead, their bodies transformed into macabre works of art. Devin must set aside his words of peace and accept his new role: slayer of monsters and protector of the human race.