Second in the series, Royal Interlude is the sequel to Troubled Times. Will Howard and Hugh Fitzalan, although yearning to return to their beloved Arundel Castle in Southern England, still find themselves embroiled in the trouble and chaos of war-torn France during the waning years of the Hundred Years War. While they continue to advance their skills as young warriors and esquires, and often find themselves in real combat battling the French, their Homeland struggles for a solution to endless war -- Victory or Peace? One potential solution, perhaps, is for the young and eligible Henry VI of England to wed a suitable French Princess. Charles VII has eligible daughters. But will the canny King of France allow Henry to wed one? And at what price? While plots and intrigues ensue at the highest levels of both realms, Will and Hugh find themselves tasked with discovering the secret of arguably the most powerful man in England, Sir William de la Pole, fourth Earl of Suffolk. King's Steward, and the King's best friend, confidant, and chief negotiator, Suffolk struggles to hang on to the reins of power in a teetering world. What is he willing to sacrifice for King and Realm? His own power, position, or wealth? Amidst the pomp and pageantry of royal marriage negotiations, betrothels, and weddings, Will and Hugh uncover greed, corruption, and self-interest. But will they also find treason?

Sensitive study of the 15/16 century interlude, focussing on one of its major concerns, the depiction of male aristocracy and the development to maturity. The commercial theatre of the late sixteenth century is often credited with introducing its audiences to new modes of thought about the self, society and the nation, making them conscious that the self is performed, as an actor performs a role. Yet the earlier interlude drama, originally performed in households and other institutions of the late fifteenth and sixteenth centuries, indicates that the late medieval period was fully aware of the theatricalityof identity. This book argues that ideas of performance inform the concepts of aristocratic masculinity developed in the plays Nature, Fulgens and Lucres, The Worlde and the Chylde, The Interlude of Youth and Calisto and Melebea. It examines how the depiction of young male aristocrats in these texts is shaped by ideas of male youth constituted in the middle ages, and shows them as failing or succeeding to perform anadult noble masculinity in the aristocratic body and in aristocratic household. The book also suggests ways in which the plays offer discreet praise and censure of the manner in which their noble patrons performed as aristocrats.Throughout, it brings out the subtle qualities of the interludes, which, the author shows, have been unjustly neglected. Dr FIONA S. DUNLOP is Research Associate of the Centre for Medieval Studies, University of York

Vols. - include the Shorthorn Society's Grading register for beef Shorthorn cattle; v. - include the society's Herd book of poll shorthorns.

Examines seventy--plus interludes written between 1497 and 1593 for rime scheme, verse, and subject.