One last dance might change everything. When Prince Tristian Fontaine asks Harper Thackery to remodel the interior of his family home, she isn’t sure it’s her design skills he really requires. His primary intent appears to be using their relationship to deflect other women and his matchmaking mother. He knows Harper intends to marry another man, which makes her safe—completely off limits by her own decree. But why does Tristian have to dance so . . . well, like a prince? And why does his gaze turn her insides to liquid fire? Harper finds herself torn between two dreams, the happily-ever-after she always imagined and a fairy tale that might not be real. All because of a magical night and a chance meeting with a prince. If only she has the courage to accept one last dance that might change everything. Because in Beaumont, fairy tales do come true.

This beautifully produced new book by Royal Ballet dancer Andrej Uspenski is a collection of exclusive photographs which shines the spotlight on ballet, the most beautiful of art forms. These exquisite photographs feature some of the finest dancers on stage today, bringing the reader into the magical world of ballet. As a Royal Ballet dancer himself, Andrej Uspenski has a unique perspective on photographic composition of dance imagery, as well as unrivalled access not only to the Royal Ballet's productions, but also to the dancers who perform in them. This gives the reader an exclusive insight in to the Royal Ballet's work. Dancers includes exclusive, backstage photographs, as well as a number of breathtaking images taken from the wings during live stage performances, making this a unique photographic record, perfect for all ballet fans.

Nine-year-old Clara has won a place at a top London ballet - it's what she's always wanted, but as well as excitement there are nerves too - what if all the other girls are better than her? And what about the friends she's leaving behind...? Book One: Clara gets a letter offering her a place at the ballet school. Although she's over the moon, it means saying goodbye to her old friends and ballet teacher, Miss Zindel, and preparing to start a new school and make new friends...

This book is a perceptive and critical account of the first 75 years of The Royal Ballet, tracing the company's growth, and its great cultural importance - an indispensable book for all lovers of ballet. In 1931, Ninette de Valois started a ballet company with just six dancers. Within twenty years, The Royal Ballet - as it became - was established as one of the world's great companies. It has produced celebrated dancers, from Margot Fonteyn to Darcey Bussell, and one of the richest repertoires in ballet. The company danced through the Blitz, won an international reputation in a single New York performance and added to the glamour of London's Swinging Sixties. It has established a distinctive English school of ballet, a pure classical style that could do justice to the 19th-century repertory and to new British classics. Leading dance critic, Zoë Anderson, vividly portrays the extraordinary personalities who created the company and the dancers who made such an impact on their audiences. She looks at the bad times as well as the good, examining the controversial directorships of Norman Morrice and Ross Stretton and the criticism fired at the company as the Royal Opera House closed for redevelopment.

Professional dance is an exciting but demanding career to choose, and the dancer of today needs to be physically prepared for the stress on the body that a performing life entails. Pilates and Conditioning for Dancers is a practical guide to exercises designed specifically for dance students and professionals alike. The focus on how to choose exercises that suit the individual offers dancers the freedom to optimize their performance potential in a flexible environment. Key topics covered are Core Control; Turnout; The Healthy Spine; Footwork; Jumping and Landing. This new book covers each area of the body, relating the exercises closely to dance technique and providing movement solutions for dancers of al styles and at all stages of their performing career.

The Kete dance form, once exclusive to royal courts, carries intricate movements, symbolic gestures, and rhythms that mirror Ghanaian history and values. It embodies storytelling, often depicting tales of bravery, unity, or significant historical events. These dances were traditionally reserved for specific occasions within the royal setting, symbolizing prestige, honor, and tradition. With the passage of time, the transmission of Kete royal dance has transcended its original palace context, finding its way into academic domains. Universities and cultural institutions now extend the legacies of this dance form and even act as custodians of this art form, where scholars, dancers, and enthusiasts collaborate to study, preserve, and teach Kete dance. Through meticulous documentation, research, and practice, the academy endeavors to honor the Kete dance while making it accessible to a broader audience. This transmission from palace to academy serves as a testament to the resilience and adaptability of cultural traditions. It ensures the continuity of Ghanaian heritage and allows future generations, both within and beyond Ghana, to appreciate and learn from this profound dance form from an Afrocentric perspective.