Along the way he meets an unforgettable cabal of characters who populate the funeral underground - among them the Undertaker and the Crusader, the Anatomist and the Astrologer, the Organist and the Grave-digger - and learns why the living always get the last word, and why when sprinkling ashes it's best to use a wide-mouthed urn."--Jacket.

What will become of our earthly remains? What happens to our bodies during and after the various forms of cadaver disposal available? Who controls the fate of human remains? What legal and moral constraints apply? Legal scholar Norman Cantor provides a graphic, informative, and entertaining exploration of these questions. After We Die chronicles not only a corpse’s physical state but also its legal and moral status, including what rights, if any, the corpse possesses. In a claim sure to be controversial, Cantor argues that a corpse maintains a “quasi-human status" granting it certain protected rights—both legal and moral. One of a corpse’s purported rights is to have its predecessor’s disposal choices upheld. After We Die reviews unconventional ways in which a person can extend a personal legacy via their corpse’s role in medical education, scientific research, or tissue transplantation. This underlines the importance of leaving instructions directing post-mortem disposal. Another cadaveric right is to be treated with respect and dignity. After We Die outlines the limits that “post-mortem human dignity” poses upon disposal options, particularly the use of a cadaver or its parts in educational or artistic displays. Contemporary illustrations of these complex issues abound. In 2007, the well-publicized death of Anna Nicole Smith highlighted the passions and disputes surrounding the handling of human remains. Similarly, following the 2003 death of baseball great Ted Williams, the family in-fighting and legal proceedings surrounding the corpse’s proposed cryogenic disposal also raised contentious questions about the physical, legal, and ethical issues that emerge after we die. In the tradition of Sherwin Nuland's How We Die, Cantor carefully and sensitively addresses the post-mortem handling of human remains.

"This work uses the history of American funeral homes to reimagine the beginnings of our decentralized consumer landscape"--

New Englanders are always cursing. But a colorful profanity uttered by some stero-typically taciturn old Yankee is usually more humorous than menacing. Yet, true maledictions (the opposite of benedictions) have frequently been spoken on New England soil, curses intended to invoke evil, injury, or total destruction against other people. Stories about preternatural revenge are numerous in Yankee lore, with each New England state providing its favorites. You’ll read about curses that were followed by the strange disappearance of a father and daughter in Rhode Island, mysterious afflictions in Massachusetts, a river of death in Maine, an unaccountable blight in New Hampshire, unexplained madness in Connecticut, and other eerie happenings from New England’s colorful history. Some are well known, at least regionally. Others are nearly forgotten. Within these pages, storyteller Joseph A. Citro vividly brings these tales to life, letting us decide if these tales of woe were bad luck or . . . something else.

Chelsea Green, the Vermont-based independent publisher, has always had a nose for authors and subjects that are way ahead of the cultural curve, as is evident in this new anthology celebrating the company’s first thirty years in publishing. The more than one hundred books represented in this collection reflect the many distinct areas in which we have published–from literature and memoirs to progressive politics, to highly practical books on green building, organic gardening and farming, food and health, and related subjects–all of which reflect our underlying philosophy: "The politics and practice of sustainable living." The Chelsea Green Reader offers a glimpse into our wide-ranging list of books and authors and to the important ideas that they express. Interesting and worth reading in their own right, the individual passages when taken as a whole trace the evolution of a highly successful small publisher–something that is almost an oxymoron in these days of corporate buyouts and multinational book groups. From the beginning, Chelsea Green's books were nationally recognized, garnering positive reviews, accolades, and awards. We’ve published four New York Times bestsellers, and our books have set the standard for in-depth, how-to books that remain relevant years–often decades–beyond their original publication date. "Chelsea Green was born from a single seed: the beauty of craft. Craft in writing and editing, in a story well told, or a thesis superbly expressed," writes cofounder and publisher emeritus Ian Baldwin in the book's foreword. Today, craft continues to inform all aspects of our work–design, illustration, production, sales, promotion, and beyond. It has even informed our business model: In 2012, Chelsea Green became an employee-owned company. With the rise of the Internet, new media platforms, and a constantly shifting bookselling landscape, the future of publishing is anything but predictable. But if Chelsea Green's books prove anything, it is that, despite these challenges, there remains a hunger for new and important ideas and authors, and for the permanence and craftsmanship of the printed word. Today our ongoing mission is stronger than ever, as we launch into our next thirty years of publishing excellence.

Along the way he meets an unforgettable cabal of characters who populate the funeral underground - among them the Undertaker and the Crusader, the Anatomist and the Astrologer, the Organist and the Grave-digger - and learns why the living always get the last word, and why when sprinkling ashes it's best to use a wide-mouthed urn."--Jacket.

Tells the stories of various people who have built their houses in an attempt to get off the grid and make the living spaces as efficient as possible. The author combines the stories of the people and their houses with the principles that make their houses efficient using methods of solar, water,