Rosemary's cosy world is crumbling around her. Phyllis, one of the four witches they share their house with, has disappeared through the wall. Can she solve the mystery of Phyllis' disappearance and stop the No-Laws before Rosemary's family is fractured for good? This is the debut children's novel from Emmerdale actor Samantha Giles.

Rosemary and the Book of the Dead is the sequel to the bestselling Rosemary and the Witches of Pendle Hill by Emmerdale actor Samantha Giles. Everything has been back to normal in Rosemary's world since her witch and wizard houseguests disappeared - her dad's cloud has gone away, her mum's been around more, and her little sister, Lois, has been windier than ever. So when an ancient artefact goes missing from the British Museum and her mum returns from her new soap-opera gig with actual holes in her body, Rosemary knows something bad is happening, and she and the gang are the only ones who can crack this latest mystery. Travelling through secret underground tunnels across the country, around the Egyptian desert, and into the Great Sphinx of Giza, Rosemary, Adi, and Lois must solve a series of riddles and save the Book of the Dead before the evil Mal Vine beats them to it and her mother disappears entirely forever.

“Assured and alluring, this beautiful tale of women, witchcraft and the fight against power is a delight.” —Jessie Burton, New York Times–bestselling author In 1612 Lancaster, England, the hunt for witches has reached a fever pitch . . . But in a time of suspicion and accusation, to be a woman may be the greatest risk of all. Fleetwood Shuttleworth, the mistress of Pendle Hill’s Gawthorpe Hall, is with child. Anxious to produce an heir, she is distraught to find a letter from her physician that warns her husband she will not survive this pregnancy. Devastated, Fleetwood wanders the estate grounds, where she catches a young woman poaching. Alice Gray claims she is a local midwife and promises to help Fleetwood deliver a healthy baby. But a witch-obsessed frenzy sweeps the countryside. Even woodland creatures or “familiars” are thought to be dark companions of the unholy. And Alice soon stands accused of witchcraft. Time is running out. The witch trials are about to begin. With both their lives at stake, Fleetwood must prove Alice’s innocence. Only they know the truth. Set against the real Pendle witch trials, this compelling novel draws its characters from historical figures as it explores the lives of seventeenth-century women. Ultimately it raises the question: Was witch hunting really just women hunting? “A rich and atmospheric reimagining of a historical period rife with religious tensions, superstitions, misogyny and fear.” —The New York Times Book Review “An intricate and sensitive portrayal of a brave, tenacious young girl carving her place in the world. A must-read novel.” —Heather Morris, #1 New York Times–bestselling author

The spellbinding story of the original werewolf, woven against an amazing historical backdrop with a supernatural twist

Reproduction of the original: Lancashire Folk-Lore by John Harland, T.T. Wilkinson

UPDATED 40TH ANNIVERSARY EDITION WITH 2020 PREFACE An examination of the Scientific Revolution that shows how the mechanistic world view of modern science has sanctioned the exploitation of nature, unrestrained commercial expansion, and a new socioeconomic order that subordinates women.

Seven oâe(tm)clock on a Monday morning, five hundred years after the End of the World, and goblins had been at the cellar again. Maddy Smith has always been an outsider. In a world ruled by the harsh and puritanical Order, she is shunned for the strange birthmark on her left hand. For this is no ordinary birthmark âe" it is a runemark, a sign of the old gods. In fact, Maddy can do things that no-one else can, things that could be called magic. But not until she meets the old traveller One-Eye, an outsider like herself, does she learn what power she really has, and what she will be asked to do with it. In Runemarks, Joanne Harris creates a world not unlike our own - if it had been shaped by the Vikings instead of the Romans - and colours it with her familiar blend of rich imagery and gritty realism. A disenchanted world, where the gods died long ago. Can Maddy bring them back to life?