Although Robert Russell Bennett was perhaps best known for his expert orchestrations of musical comedies, he also wrote operas, symphonies, concerti, chamber music, etudes, sonatas, and works for concert band. Written originally for cornet solo and concert band accompaniment, Rose Variations is presented here for trumpet with piano accompaniment. The theme and variations are titled: Introduction: The Garden Gate * Theme: Carolina (Wild) Rose * Variation I: Dorothy Perkins (Rambler) Rose * Variation II: Frau Karl Druschi (White) Rose * Variation III: Cinnamon Rose (With Humming Birds) * Variation IV: American Beauty (Red) Rose.

In 1975, twenty-five-year-old Rose takes a temporary professorship at a Midwestern college, convinced that an exciting career as a composer lies ahead. Determined to be independent, she struggles with love, ambition, and the perplexing question of happiness.

Fully illustrated, the charm of his English Roses comes across on every page, even if the reader has to imagine their scent. The Irish Garden Like its highly-respected companion in the series, Old Roses, this title draws the most useful information fr

Advance Praise for The Rose Variations: “The Rose Variations is an elegant symphony of a novel, shaped by a lovely complexity, informed by humor and grace. Congratulations to Marisha Chamberlain for her fine debut.”—Roxana Robinson, author of Cost “In this richly absorbing novel Chamberlain creates a heroine so vivid, so complex, so passionate that she walks right off the page and into the reader's mind and heart. I loved following Rose through her various vicissitudes, romantic and musical, and through her many relationships with friends, colleagues, students and lovers. The Rose Variations is one of those rare novels that captures the complexity of a life lived over time, and does so in beautiful, eloquent prose. A brilliant debut.”—Margot Livesey, author of The House on Fortune Street “Rose MacGregor is my kind of heroine—funny and serious, dreamy but brutally practical when it’s called for; someone blissfully inconsistent—like the rest of us. What more can one ask than that a novel presents us with a unique personality such as Rose’s?”—Judith Guest, author of Ordinary People “Who’d have thought it possible? There’s news about love and work in Marisha Chamberlain’s The Rose Variations! It’d be hard to find a more contemporary view of the sexual dilemma, but I couldn’t help thinking how much Shakespeare, Mozart, and Jane Austen would have savored this novel.”—David Huddle, author of The Story of a Million Years and La Tour Dreams of the Wolf Girl In 1975, twenty-five-year-old Rose MacGregor moves to St. Paul, Minnesota, with nothing but a few books, her cello, and a temporary professorship at a Midwestern college. The only woman in the music department, the other professors refer to her derisively as “the Girl Composer,” but she believes that a brilliant career writing music lies ahead. Passionately focused on her art, she also longs to find love, but her fierce independence always seems to get in the way of romantic relationships. Struggling with loneliness and ambition, she gets tangled up with a gay colleague, a self-made stonemason, a lesbian cellist, and the troubles of her wayward younger sister, before finally finding happiness. Marisha Chamberlain is a playwright, poet, fiction writer, essayist, and screenwriter. Her book of poems, Powers, won a Minnesota Voices Award. She lives in Hastings, Minnesota. This is her first novel. From the Hardcover edition.

A collection of essays, most previously published on the critical theory, aesthetics, and social historiography of western classical music since the late 1700's. Based largely on the ideas of Theodor W. Adorno. A companion volume, Deconstructionist variations, is planned. A paper edition is available (1874-7), $16.95. Annotation copyrighted by Book News, Inc., Portland, OR