Roosevelt Island captures the fascinating and sometimes curious history of an island located halfway between Manhattan and Queens in the East River. In 1824, the city of New York purchased Blackwell's Island, later Welfare Island, as a site for its lunatic asylum, penitentiary, workhouses, and almshouses. In the years that followed, the island was a temporary home for several of New York City's famous and infamous. William Marcy Tweed, better known as "Boss Tweed," was imprisoned at the penitentiary in the 1870s. Mae West was incarcerated in 1927 at the Workhouse for Women after her appearance in a play called Sex. After many institutions were closed or relocated, Welfare Island was virtually ignored until 1973, when it was reborn as Roosevelt Island, which is now a model planned community and thriving home to almost ten thousand people.

'She lets us see the often chaotic and nature-starved modern world through the eyes of our foremost conservation president ...a view that is at once uplifting and provocative, but always fascinating.' Tony Flemming, Geologist and co-author, Geologic Map of the Washington West Quadrangle, Oct 24, 2020 Washington D.C. naturalist Melanie Choukas-Bradley dives into the natural history and beauty of Theodore Roosevelt Island, an island wilderness less than two miles from the White House and a memorial to the United States' foremost conservationist president. In 2016, as the presidential election dealt a body-blow to progressive thinkers in the US, Melanie sought the solace of Theodore Roosevelt Island. In this book she reflects on the inspiring environmental legacy of Roosevelt, and how immersing oneself in nature can help to heal, restore and encourage a person, even in the midst of the strange new reality of a divisive occupant in the White House. Melanie leads the reader along walks and kayak trips around the island, as together with other Washingtonian nature lovers, birders, conservationists, and even descendants of Roosevelt, they find solace in the island's natural wonders, and ponder their nation's future. Includes a foreword by Tom Lovejoy, Senior Fellow at the United Nations Foundation.

A ROLLICKING NARRATIVE HISTORY OF THEODORE ROOSEVELT'S EMBATTLED TENURE AS POLICE COMMISSIONER OF CORRUPT, PLEASURE-LOVING NEW YORK CITY IN THE 1880s, AND HIS DOOMED MISSION TO WIPE OUT VICE In the 1890s, New York City was America’s financial, manufacturing, and entertainment capital, and also its preferred destination for sin, teeming with 40,000 prostitutes, glittering casinos, and all-night dives packed onto the island’s two dozen square miles. Police captains took hefty bribes to see nothing while reformers writhed in frustration. In Island of Vice, bestselling author Richard Zacks paints a vivid picture of the lewd underbelly of 1890s New York, and of Theodore Roosevelt, the cocksure crusading police commissioner who resolved to clean up the bustling metropolis, where the silk top hats of Wall Street bobbed past teenage prostitutes trawling Broadway. Writing with great wit and zest, Zacks explores how Roosevelt went head-to-head with corrupt Tammany Hall, took midnight rambles with muckraker Jacob Riis, banned barroom drinking on Sundays, and tried to convince 2 million New Yorkers to enjoy wholesome family fun. In doing so, Teddy made a ruthless enemy of police captain “Big Bill” Devery, who grew up in the Irish slums and never tired of fighting “tin soldier” reformers. Roosevelt saw his mission as a battle of good versus evil; Devery saw prudery standing in the way of fun and profit. When righteous Roosevelt’s vice crackdown started to succeed all too well, many of his own supporters began to turn on him. Cynical newspapermen mocked his quixotic quest, his own political party abandoned him, and Roosevelt discovered that New York loves its sin more than its salvation. Zacks’s meticulous research and wonderful sense of narrative verve bring this disparate cast of both pious and bawdy New Yorkers to life. With cameos by Stephen Crane, J. P. Morgan, and Joseph Pulitzer, plus a horde of very angry cops, Island of Vice is an unforgettable portrait of turn-of-the-century New York in all its seedy glory, and a brilliant portrayal of the energetic, confident, and zealous Roosevelt, one of America’s most colorful public figures.

Opened in 1909, the Queensboro Bridge is the longest bridge spanning the East River. The bridge had an immediate and profound effect on the development of Queens from a largely rural area into a bedroom and working community. With its graceful symmetry, the bridge has long been a source of inspiration for artists, songwriters, and authors. Paul Simon and Art Garfunkel made it an icon for the 1960s with the song Ã"The 59th Street Bridge Song (FeelinÃ' Groovy),Ã" and more recently it was featured in the movie Spiderman. Through historic photographs, The Queensboro Bridge documents the creation of this cultural icon and its contributions to the history of New York.

“A riveting character-driven dive into 19th-century New York and the extraordinary history of Blackwell’s Island.” —Laurie Gwen Shapiro, author of The Stowaway: A Young Man’s Extraordinary Adventure to Antarctica On a two-mile stretch of land in New York’s East River, a 19th-century horror story was unfolding . . . Today we call it Roosevelt Island. Then, it was Blackwell’s, site of a lunatic asylum, two prisons, an almshouse, and a number of hospitals. Conceived as the most modern, humane incarceration facility the world ever seen, Blackwell’s Island quickly became, in the words of a visiting Charles Dickens, “a lounging, listless madhouse.” In the first contemporary investigative account of Blackwell’s, Stacy Horn tells this chilling narrative through the gripping voices of the island’s inhabitants, as well as the period’s officials, reformers, and journalists, including the celebrated Nellie Bly. Digging through city records, newspaper articles, and archival reports, Horn brings this forgotten history alive: there was terrible overcrowding; prisoners were enlisted to care for the insane; punishment was harsh and unfair; and treatment was nonexistent. Throughout the book, we return to the extraordinary Reverend William Glenney French as he ministers to Blackwell’s residents, battles the bureaucratic mazes of the Department of Correction and a corrupt City Hall, testifies at salacious trials, and in his diary wonders about man’s inhumanity to man. In Damnation Island, Stacy Horn shows us how far we’ve come in caring for the least fortunate among us—and reminds us how much work still remains.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Moundbuilders of the Amazon shows that sophisticated archaeological, bioarchaeological, and geophysical techniques of remote sensing are fully applicable to tropical sites. Additionally, the comprehensive use of such techniques by all archaeologists, doing fieldwork anywhere, could revolutionize archaeology, allowing archaeologists to look inside sites rather than simply excavate them.**Using a variety of remote sensing techniques, Roosevelt documents the existence of a major moundbuilding culture possessing monumental architecture and a rich artistic tradition on the lowland tropical floodplain of Marajo Island at the mouth of the Amazon River in Brazil, from about 400 A. D. to about 1,300 A. D.**Marajo Island at the mouth of the Amazon River is about the same size as Switzerland or Belgum. A well developed civilization existed there from about 400 A. D. to 1,300 A. D., comparable in many ways to the Inca civilization to the west or to the Aztec and Maya cultures to the north or, in some interesting ways, to the Pharonic cultures which developed at the mouth of the Nile. Because this civilization had no stone at its disposal, it expressed its monumental architecture in packed dirt which washed back into the alluvial floodplain long ago, effectively preventing archaeological discovery until the recent development of sophisticated techniques of remote sensing and reconstruction. Key Features * Reports on the most extensive stratigraphic excavations ever of an ancient Amazonian civilization adapted to a floodplain environment * Introduces the first use of geophysics for archaeology in non-specialized language * Illustrates, for the first time, the elaborate art of a complex society that was indigenous to the tropical lowlands * Describes monumental sites, rich polychrome pottery, and the first extensive biological remains ever recovered in an Amazonian site * Proves that sophisticated archaeological, bioarchaeological, and geophysical techniques of remote sensing are fully applicable to tropical sites * Shows that the comprehensive use of such methods could revolutionize archaeology by allowing archaeologists to look inside sites rather than simply excavate them * Provides examples which prove that the theories about the limitations of the tropical environment for cultural evolution are simply untrue and were based on faulty knowledge of the region and its archaeology