"A Room with a View is a 1908 novel by English writer E. M. Forster, about a young woman in the restrained culture of Edwardian era England. Set in Italy and England, the story is both a romance and a humorous critique of English society at the beginning of the 20th century. Merchant Ivory produced an award-winning film adaptation in 1985.The Modern Library ranked A Room with a View 79th on its list of the 100 best English-language novels of the 20th century (1998)."

Kidnapped as a teenage girl, Ma has been locked inside a purpose built room in her captor's garden for seven years. Her five year old son, Jack, has no concept of the world outside and happily exists inside Room with the help of Ma's games and his vivid imagination where objects like Rug, Lamp and TV are his only friends. But for Ma the time has come to escape and face their biggest challenge to date: the world outside Room.

Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.

"Sexually curious and intellectually adventurous, adolescent Marie begins journaling about her life in Western Michigan's Bible Belt during the rise of the Christian Right. Over the span of many years, her writing becomes a meditation on the ways in which language makes, unmakes, and remakes us. In The Reconception of Marie, Marie's many voices coalesce in a reimagined bildèungsroman, where coming-of-age becomes coming-into-awareness, a spiritual quest navigated with humor, fervency, and the multivalency of queer grace"--

"I am going blind. I am going blind," my mother would proclaim whenever I would call her in the psychiatric hospital, from almost three thousand miles away in Los Angeles. "By tomorrow," my mother would shout into the phone, "I will be blind." For years she had coped on her own until her doctor reduced her Haldol in hopes of decreasing harmful neurological side effects. The results were cataclysmic. This would be one of many relapses after receiving a diagnosis for paranoid schizophrenia in her mid-forties, after a ten-year prolonged psychosis during which my mother worked as criminal public defense counsel on behalf of some of New York and New Jersey's most disadvantaged residents. A Room with a Darker View is an unflinching, feminist work that chronicles the author's troubled relationship with her mother, an Oxford-trained lawyer, whose severe illness -- marked by manic bouts of senseless laughter, persistent delusions, and florid hallucinations -- went unrecognized for decades by both her husband, a world-class British astrophysicist, and her father, a Jewish-Zimbabwean doctor knighted by Pope Paul VI. Told in fragments, flashbacks, and chronicling the most extreme but unfortunately common aspects of schizophrenia, this elegantly written memoir is a reflection on illness, shame, and the generation gaps that have defined mother-daughter relationships amid the evolution of feminism in the 20th century. Like Porochista Khakpour's lauded memoir, Sick (2018), A Room with a Darker View is not a linear tale of redemption or restitution. Rather, it challenges conceptions about mental illness, difficulties caring for an aging parent with a chronic disease, and how we frame contributions by outliers to society, while offering a scathing look at a broken medical system, the unwillingness of an elite educated family to reckon with its secrets, and finally, the universally-understood difficulty of caring for an aging parent with a chronic illness. Unsurprisingly, feminists have been at the forefront of writing illness narratives, from Virginia Woolf to Audre Lord and Susan Sontag. My family's inability to accommodate my mother's illness, the perniciousness of her particular subtype of schizophrenia, paranoia, and the story of women's fight for gender equality in both the workplace and at home are part of this chronicle. In 500-word vignettes A Room with a Darker View retrospectively examines the trauma of undiagnosed mental illness besieging a mother-daughter relationship from toddlerhood through college and into the author's adult life as a writer and lecturer. Of particular note, the author documents her mother's determination in trying to find a place for herself in the male dominated field of law in the 1970s, and her equal determination to recover some semblance of a life after a difficult diagnosis, as she becomes heavily medicated and impoverished by divorce. Only with her mother's final relapse at 73 did the author begin to tell this story, first in Black Clock, an essay for which she received a Pushcart nomination and notable mention in The Best American Essays 2015.

E. M. Forster's 1908 novel 'A Room with A View' narrates the story of a young woman in the restrained culture of Edwardian England. Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century.