A story of adventure, survival, courage, and hope, set in the vivid Himalayan landscape of Tibet and India that introduces young readers to a fascinating part of the world and the threat to its people's religious freedom.

For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This book is a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that have played out in them. Harris begins with the British public’s first encounter with Tibetan culture in 1854. She then examines the role of imperial collectors and photographers in representations of the region and visits competing museums of Tibet in India and Lhasa. Drawing on fieldwork in Tibetan communities, she also documents the activities of contemporary Tibetan artists as they try to displace the utopian visions of their country prevalent in the West, as well as the negative assessments of their heritage common in China. Illustrated with many previously unpublished images, this book addresses the pressing question of who has the right to represent Tibet in museums and beyond.

A detailed guide for owners of Tibetan spaniels, with information on health care, training, breeding, and showing

When, how, and why did the Himalaya become the highest mountains in the world? In 1800, Chimborazo in South America was believed to be the world's highest mountain, only succeeded by Mount Everest in 1856. Science on the Roof of the World tells the story of this shift, and the scientific, imaginative, and political remaking needed to fit the Himalaya into a new global scientific and environmental order. Lachlan Fleetwood traces untold stories of scientific measurement and collecting, indigenous labour and expertise, and frontier-making to provide the first comprehensive account of the East India Company's imperial entanglements with the Himalaya. To make the Himalaya knowable and globally comparable, he demonstrates that it was necessary to erase both dependence on indigenous networks and scientific uncertainties, offering an innovative way of understanding science's global history, and showing how geographical features like mountains can serve as scales for new histories of empire.

Rick Lipsey returned from a vacation with an unusual job offer. After playing a few rounds at Bhutan's Royal Thimphu Golf Club, one of the members asked if he'd consider becoming the kingdom's golf pro. "Sure, I'd love to move to Bhutan," Lipsey flippantly responded. Next thing you know, he, his wife, and their infant daughter are boarding a plane for this remote Himalayan country. With one foot in the ancient world and the other in the twenty-first century, Bhutan is working to successfully meld the old and the new, from subsistence farming and religious festivals to the Internet and World Wrestling Entertainment. In Golfing on the Roof of the World, Rick sets great golf travel writing against the bigger political story of Bhutan's entrance to the modern world. Not only does he teach and play golf in the shadow of the world's tallest peaks, but he also comes to understand the seismic shifts in store for the last Buddhist kingdom where peace and spiritual prosperity have abounded, and the national standard for measuring success is Gross National Happiness.