SOBRE AS PUBLICAÇÕES AUTORAIS DE RONALD OLIVEIRA, ARTISTA E PROFESSOR DE ARTES PLÁSTICAS, EU ME RESPONSABILIZO TOTAL E INTEGRALMENTE PARA COM SEUS EFEITOS LEGAIS, MORAIS E FINANCEIROS, A TÍTULO DE COAUTOR DE SUAS OBRAS ARTÍSTICAS. PORTANTO, CABEM AQUI TANTO MINHAS OBRAS QUANTO OBRAS DELE, AS QUAIS EU ASSUMO DE BOA FÉ E VONTADE. SENDO VERDADE, ASSINO: Alcebíades Júnior – 17/01/2022. RONALD ARTES DESENHO & PINTURA – TEORIAS, CONCEITOS, DEFINIÇÕES – EDIÇÃO2: O propósito desta edição é orientar o (a) leitor (a) quanto às Teorias, Conceitos e Definições no que diz respeito ao Desenho Artístico e à Pintura Óleo Sobre Tela. Detalhes que podem ser simples, porém eficazes, mas que passam despercebidos por aspirantes e quem sabe até por veteranos da Arte. Será de grande ajuda para o (a) Artista que aprecia curiosidades e entendimento das Emoções, dos Sentimentos humanos correlacionados às Sensações, essas pelas quais suas Obras Artísticas detêm o poder de influenciar positivamente seu público, e a si mesmo (a). Nota-se nesta edição que o Autor dá especial ênfase à Inteligência Emocional proporcionada pela Arte, porque é justamente esse o objetivo, ou seja, entregar Emoções. De agora em diante veja a Arte como “um modo de vida”, onde seu projeto final torne-se Emocionar as pessoas e fazê-las Gratas para todo o sempre. Nova edição, nova capa, novo formato, mais conteúdos relevantes com ilustrações diversas. MINIBIOGRAFIA – O AUTOR RONALD OLIVEIRA: Sou Professor de Artes Plásticas, e já trabalho no ramo Artístico há muitos anos. Dou aulas de Artes e realizo trabalhos em vários temas de Desenho Artístico e de Pintura Óleo Sobre Tela. Convido você a prestigiar minhas Obras e opinar sobre meu trabalho, pois seu comentário, seu depoimento e sua recomendação são de suma importância para mim. Quer me conhecer melhor (Autor)? [email protected] (11) 992928933 (WhatsApp) Conheça Minha Loja Virtual e me ajude divulgar: https://alcebiadesjuniorprofissional.webnode.com/ronald-artes Conheça a minha página profissional do Facebook: https://facebook.com/arteronald

Account of the rise of modernism in the art of Latin America, published to accompany the exhibition Latin American Artists of the Twentieth Century at The Museum of Modern Art, New York.

The sixteenth century was a critical period both for Spain’s formation and for the imperial dominance of her Crown. Spanish monarchs ruled far and wide, spreading agents and culture across Europe and the wider world. Yet in Italy they encountered another culture whose achievements were even prouder and whose aspirations often even grander than their own. Italians, the nominally subaltern group, did not readily accept Spanish dominance and exercised considerable agency over how imperial Spanish identity developed within their borders. In the end Italians’ views sometimes even shaped how their Spanish colonizers eventually came to see themselves. The essays collected here evaluate the broad range of contexts in which Spaniards were present in early modern Italy. They consider diplomacy, sanctity, art, politics and even popular verse. Each essay excavates how Italians who came into contact with the Spanish crown’s power perceived and interacted with the wider range of identities brought amongst them by its servants and subjects. Together they demonstrate what influenced and what determined Italians’ responses to Spain; they show Spanish Italy in its full transcultural glory and how its inhabitants projected its culture - throughout the sixteenth century and beyond.

In this, the first collection in English of feminist-oriented research on Japanese art and visual culture, an international group of scholars examines representations of women in a wide range of visual work. The volume begins with Chino Kaori's now-classic essay Gender in Japanese Art, which introduced feminist theory to Japanese art. This is followed by a closer look at a famous thirteenth-century battle scroll and the production of bijin (beautiful women) prints within the world of Edoperiod advertising. A rare homoerotic picture-book is used to extrapolate the grammar of desire as represented in late seventeenth-century Edo. In the modern period, contributors consider the introduction to Meiji Japan of the Western nude and oil-painting and examine Nihonga (Japanese-style painting) and the role of one of its famous artists. The book then shifts its focus to an examination of paintings produced for the Japanese-sponsored annual salons held in colonial Korea. The post-war period comes under scrutiny in a study of the novel Woman in the Dunes and its film adaptation. The critical discourse that surrounded women artists of the late twentieth-century - the Super Girls of Art - i

Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.

This book seeks to explore the history of descriptive geometry in relation to its circulation in the 19th century, which had been favoured by the transfers of the model of the École Polytechnique to other countries. The book also covers the diffusion of its teaching from higher instruction to technical and secondary teaching. In relation to that, there is analysis of the role of the institution – similar but definitely not identical in the different countries – in the field under consideration. The book contains chapters focused on different countries, areas, and institutions, written by specialists of the history of the field. Insights on descriptive geometry are provided in the context of the mathematical aspect, the aspect of teaching in particular to non-mathematicians, and the institutions themselves.