“A master of the short story” discusses every aspect of the writing process, from story structure to staying focused, in this candid essay collection (Booklist). Ron Carlson’s short stories have been featured in The New Yorker, Harper’s Magazine, and elsewhere, while his numerous collections have won critical acclaim. In this series of personal essays, Carlson explores his own process, inviting the reader to watch over his shoulder as he creates the short story “The Governor’s Ball.” “This is the story of a story,” Carlson tells us. But as he crafts a tale, he also offers practical advice for writers, covering everything from the first glimmer of an idea to the final sentence. Carlson urges the writer to refuse the outside distractions—a second cup of coffee, a troll through the dictionary—and attend to the necessity of uncertainty, the pleasures of an unfolding story. “The Governor’s Ball”—included in its entirety—serves as a fascinating illustration of the detailed anatomy of a short story.

Ron Carlson has been praised as "a master of the short story" (Booklist). In this essay collection, Ron Carlson Writes a Story, he offers a full range of notes and gives rare insight into a veteran writer's process by inviting the reader to watch over his shoulder as he creates the short story "The Governor's Ball." "This is a story of a story" he begins, and proceeds to offer practical advice for creating a great story, from the first glimmer of an idea to the final sentence. Carlson urges the writer to refuse the outside distractions—a second cup of coffee, a troll through the dictionary—and attend to the necessity of uncertainty, the pleasures of an unfolding story. "The Governor's Ball"—included in its entirety—serves as a fascinating illustration of the detailed anatomy of a short story.

Beloved story writer Ron Carlson's first novel in thirty years, Five Skies is the story of three men gathered high in the Rocky Mountains for a construction project that is to last the summer. Having participated in a spectacular betrayal in Los Angeles, the giant, silent Arthur Key drifts into work as a carpenter in southern Idaho. Here he is hired, along with the shiftless and charming Ronnie Panelli, to build a stunt ramp beside a cavernous void. The two will be led by Darwin Gallegos, the foreman of the local ranch who is filled with a primeval rage at God, at man, at life. As they endeavor upon this simple, grand project, the three reveal themselves in cautiously resonant, profound ways. And in a voice of striking intimacy and grace, Carlson's novel reveals itself as a story of biblical, almost spiritual force. A bellwether return from one of our greatest craftsmen, Five Skies is sure to be one of the most praised and cherished novels of the year.

"These stories are full of surprises, jolts, and lightning strikes of recognition. Do yourself a favor and read Ron Carlson." —Stephen King Ron Carlson's stories, sometimes wicked or bittersweet, often zany, are rich with a hard-earned hopefulness frequently absent in contemporary fiction. In this generous gathering from collections no longer available, longtime fans and new readers alike can savor the development of a master of idiosyncrasy. Properly celebrated for his range, Carlson offers us a rural sheriff who's wary of UFOs ("Phenomena"), a lawyer on a mission in remote Alaska ("Blazo"), a baseball player turned killer-by-accident ("Zanduce at Second"), and a nineteen-year-old who experiences an unsettling sexual awakening during an Arizona summer ("Oxygen"). Here also is a man accusing Bigfoot of stealing his wife, followed by Bigfoot's incomparable response. Not least of the treasures is "The H Street Sledding Record," a story perfect for family holiday reading, in which a young father creates the magic of Santa by throwing manure on his roof on Christmas Eve. This book proves Carlson's axiom that "a short story is not a single thing done a single way," and it offers us—finally—a full view of his remarkable talents.

"We lean closer and closer, eager to catch every last word." said The New York Times Book Review. "Bigger, richer, funnier, and more complex than any description of them can convey," said the San Francisco Chronicle. "Some of the funniest and saddest stories ever to cozy up together," said the Los Angeles Times. Welcome to the short stories of Ron Carlson, where strange beach towels turn up in your living room; where the ordinary son of a family of geniuses spins a rollicking tale of happiness and disappointment; where a teenaged magician seduces the prettiest girl in his high school and the world, with devastating consequences. Long regarded as one of our finest living short story writers, Ron Carlson triumphantly returns with At the Jim Bridger, nine stories that are epic in scope and confessional in tone; stories that enfold the reader in a world of love and mystery, and make us feel better than just about anything written on the page.

“ [A] moving novel about friendship, forgiveness, and mortality.” —Nancy Pearl, NPR’s Morning Edition Ron Carlson has always been a critics’ favorite, but Return to Oakpine shows the acclaimed writer at his finest. In this tender and nostalgic portrait of western American life, Carlson tells the story of four middle-aged friends who once played in a band while growing up together in small-town Wyoming. One of them, Jimmy Brand, left for New York City and became an admired novelist. Thirty years later in 1999, he’s returned to die. Craig Ralston and Frank Gunderson never left Oakpine; Mason Kirby, a Denver lawyer, is back on family business. Jimmy’s arrival sends the other men’s dreams and expectations, realized and deferred, whirling to the surface. And now that they are reunited, getting the band back together might be the most essential thing they ever do.

Ron Carlson is a master of the contemporary short story. In The Blue Box, he extends that mastery to the short short story, offering us a captivating glimpse of a writer at play. With that voice of his--sharp, sensitive, and wry, brimming with good humor--Carlson inhabits one standby after another of the American pop landscape, past and present: monster flicks, action heroes, unsupervised teenagers, blogging. Coming in for special scrutiny is the world of education, in hilarious send-ups of recommendation letters, teacher evaluations, style guides, and a MOOC. Whimsical, wistful, and gently surreal, The Blue Box delights in life's unending absurdities, and reminds us not to take anything--especially ourselves--too seriously.