"Nero became Emperor in A.D 54. On the evening of July 18, 64 A. D., it seems that a lamp was left unextinguished in a stall still heaped with piles of combustible material. Whether this was accidental or deliberate we cannot now determine, and normally it would not have led to anything that would have attracted even local attention. But there was a gusty wind that night, and the flickering flame was fanned onto the flammable wares. The ensuing fire quickly spread. Before the onlookers could absorb what was happening one of the most catastrophic disasters ever to be endured by Rome was already underway. It was a disaster that brought death and misery to thousands. In Nero and the Great Fire of Rome, Anthony Barrett draws on new textual interpretations and the latest archaeological evidence, to tell the story of this pivotal moment in Rome's history and its lasting significance. Barrett argues that the Great Fire, which destroyed much of the city, changed the course of Roman History. The fire led to the collapse of Nero's regime, and his disorderly exit brought an end to Rome's first imperial dynasty, transforming from thereto, the way that emperors were selected. It also led to the first systematic persecution of the Christians, who were blamed for the blaze. Barrett provides the first comprehensive study of this dramatic event, which remains a fascination of the public imagination, and continues to be a persistent theme in the art and literature of popular culture today"--

A lively and accessible guide to the rich literary, philosophical and artistic achievements of the notorious age of Nero.

In a parallel modern world, Rome and Japan stand on the brink of world war. When the Emperor falls ill, his young nephew Marcus Novius Caesar finds himself taking command of the greatest power on Earth. But behind the clash of empires, hidden forces are at work. For Marcus and his allies the price of peace will be higher than they dreamed. "A thoroughly good read...vividly imagined...elegant, lively writing" - SUNDAY TELEGRAPH

"Rome Is Burning" is secret government code for a potential terrorist attack in the U.S. The City of Los Angeles is in danger, and no one knows it. Special Agent John Swenson, aka The Iron Eagle, and Sheriff's Homicide Detective Jim O'Brian have been in search of a serial killer with a twist: a terrorist plot of tremendous proportions. A disgraced Marine Corps Colonel has hatched a plan with her subordinates to destroy the city of Los Angeles and kill millions of its citizens. John Swenson, also a highly decorated former Marine Corps MARSOC black operative, must step out of his role as FBI agent and back into his military training to stop what will be the worst terrorist attack in U.S. history. Swenson and O'Brian engage with Swenson's retired unit to attempt to stop the devastation. With every turn in the investigation and hunt for the terrorists, a deeper anti-government plot is uncovered, and the only thing standing in the way of death and destruction for a city and a nation is The Iron Eagle and his team of black operatives.

It is estimated that only a small fraction, less than 1 per cent, of ancient literature has survived to the present day. The role of Christian authorities in the active suppression and destruction of books in Late Antiquity has received surprisingly little sustained consideration by academics. In an approach that presents evidence for the role played by Christian institutions, writers and saints, this book analyses a broad range of literary and legal sources, some of which have hitherto been little studied. Paying special attention to the problem of which genres and book types were likely to be targeted, the author argues that in addition to heretical, magical, astrological and anti-Christian books, other less obviously subversive categories of literature were also vulnerable to destruction, censorship or suppression through prohibition of the copying of manuscripts. These include texts from materialistic philosophical traditions, texts which were to become the basis for modern philosophy and science. This book examines how Christian authorities, theologians and ideologues suppressed ancient texts and associated ideas at a time of fundamental transformation in the late classical world.