Romantic Organicism attempts to reassess the much maligned and misunderstood notion of organic unity. Following organicism from its crucial radicalisation in German Idealism, it shows how both Coleridge and Wordsworth developed some of their most profound ideas and poetry on its basis. Armstrong shows how the tenets and ideals of organicism - despite much criticism - remain an insistent, if ambivalent, backdrop for much of our current thought, including the work of Derrida amongst others.

Romantic Organicism attempts to reassess the much maligned and misunderstood notion of organic unity. Following organicism from its crucial radicalisation in German Idealism, it shows how both Coleridge and Wordsworth developed some of their most profound ideas and poetry on its basis. Armstrong shows how the tenets and ideals of organicism - despite much criticism - remain an insistent, if ambivalent, backdrop for much of our current thought, including the work of Derrida amongst others.

Organic form theory of Romanticism helps writers, artists, and preachers free themselves from potentially limiting norms and rules of form. Organic Homiletic: Samuel T. Coleridge, Henry G. Davis, and the New Homiletic will inspire preachers to express their individual voices and create their own authentic forms by offering preachers innovative methods to creatively imitate, blend, and mix a wide variety of sermon forms. The book is a motivator for preachers to intuitively discover sermon content in the rhetorical context of a given preaching situation, and to develop that content utilizing organic form in the process of sermon preparation. Organic Homiletic is a must-read for seminarians, experienced preachers, creative writers, and artists - all those who seek to be fresh, authentic, creative, liberated, and organic.

This book considers a moment at the turn of the nineteenth century, when literature and medicine seemed embattled in rivalry, to find the fields collaborating to develop interpretive analogies that saw literary texts as organic bodies and anatomical features as legible texts.

Since economies are dynamic processes driven by creativity, social norms, and emotions as well as rational calculation, why do economists largely study them using static equilibrium models and narrow rationalistic assumptions? This book argues that economists should look for new techniques in Romantic poetry and philosophy.