Three of the most popular Romantic violin concertos performed today in one volume. Includes Beethoven, Concerto for Violin and Orchestra in D Major, Opus 61 (1806); Mendelssohn, Concerto for Violin and Orchestra in E Minor, Opus 64 (1844); and Tchaikovsky, Concerto for Violin and Orchestra in D Major, Opus 35 (1878).

(String). Three of the most beloved violin concertos from the Romantic era, combined into a convenient and affordable collection. These repertoire staples belong in every violinist's music library. Includes: Bruch's Concerto for Violin in G minor, Op. 26, Mendelssohn's Concerto for Violin in E minor, Op. 64, and Tchaikovsky's Concerto in D Major, Op. 35. Contents: Max Bruch Concerto in G minor, Op. 26 Prelude: Allegro moderato Adagio Finale: Allegro energico Felix Mendelssohn Concerto in E minor, Op. 64 Allegro molto appassionato Andante Allegretto, ma non troppo - Allegro molto vivace Pyotr Il'Yich Tchaikovsky Concerto in D Major, Op. 35 Allegro moderato Canzonetta: Andante Allegro vivacissimio

Since the eighteenth century, violin concertos have provided a showcase for dramatic interplay between a soloist’s virtuosity and the blended sonority of an orchestra’s many instruments. Using this genre to showcase skill and ingenuity, composers cemented the violin concerto as a key genre of classical music and gifted our ears with such timeless masterpieces as Vivaldi’s Four Seasons. In Experiencing the Violin Concerto, Franco Sciannameo draws on his years of scholarship and violin performance to trace the genre through Baroque, Classical, and modern periods. Along the way, he explores the social and personal histories of composers, and the fabulous virtuosi who performed concertos, and audiences they conquered worldwide. Inviting readers to consider not only the components of the music but also the power of perception and experience, Sciannameo recreates the atmosphere of a live performance as he paints a narrative history of technique and innovation. Experiencing the Violin Concerto uses descriptions in place of technical jargon to make the world of classical music accessible to amateur music lovers. As part of the Listener’s Companion series, the volume gives readers an enhanced experience of key works by investigating the environments in which the works were written and first performed as well as those in which they are enjoyed today.