Also has published earlier works under Black, Jenna.

Ideas of masculinity and femininity become sharply defined in war-reliant societies, resulting in a presumed enmity between men and women. This so-called "battle of the sexes" is intensified by the use of misogyny to encourage men and boys to conform to the demands of masculinity. These are among Tom Digby's fascinating insights shared in Love and War, which describes the making and manipulation of gender in militaristic societies and the sweeping consequences for men and women in their personal, romantic, sexual, and professional lives. Drawing on cross-cultural comparisons and examples from popular media, including sports culture, the rise of "gonzo" and "bangbus" pornography, and "internet trolls," Digby describes how the hatred of women and the suppression of empathy are used to define masculinity, thereby undermining relations between women and men—sometimes even to the extent of violence. Employing diverse philosophical methodologies, he identifies the cultural elements that contribute to heterosexual antagonism, such as an enduring faith in male force to solve problems, the glorification of violent men who suppress caring emotions, the devaluation of men's physical and emotional lives, an imaginary gender binary, male privilege premised on the subordination of women, and the use of misogyny to encourage masculine behavior. Digby tracks the "collateral damage" of this disabling misogyny in the lives of both men and women, but ends on a hopeful note. He ultimately finds the link between war and gender to be dissolving in many societies: war is becoming slowly de-gendered, and gender is becoming slowly de-militarized.

Two women. One war. For Viola Baxter, 1939 was supposed to be a wonderful year. After meeting and falling in love with dashing Fred Scholz at Cambridge University, they planned to marry and start their new lives together. She never imagined her father would say no to the marriage. Fred is half-German and, with war fast approaching, he must travel to Germany to bring his sister home. But that journey is enough for others to suspect him... and Viola. When Annie Scholz heard her beloved grandmother was seriously ill, she wasted no time rushing to Germany to be by her side. She didn't realise it meant she would not be able to return home to the UK, or that her decision would endanger her brother, Fred, as well. Even reuniting with her childhood beau is bittersweet – how can she love someone who stands for everything she opposes? With everyone watching Annie and Fred so closely, there is no room for error... or dangerous resistance. With war the only certainty, there's just one thing in question: where do Viola and Annie's loyalties lie? Women at War is the thrilling and heart-wrenching new WW2 story from Jan Casey, author of The Women of Waterloo Bridge. What readers are saying about Women at War: '[A] captivating, heart wrenching saga... I adamantly recommend' - 5* reader review 'A story of courage and hope' - 5* reader review 'I love this book... This book drew me in straight away and I just wanted to keep on reading until I finished it. A lovely story' - 5* reader review 'Poignant, warm, gut wrenching and hopeful, this book is just beautiful. I stayed riveted the entire time and could not put it down' - 5* reader review 'The book is full of fervor and the characters grow from beginning to end! I could not put the book down!' - 5* reader review

‘She showed great courage and commitment in reporting from Burma and exemplified my belief that the best journalists are also the nicest’ – Aung San Suu Kyi ‘One of the most distinguished television journalists of her generation’ – Huw Edwards ‘Brilliant and indefatigable’ – Jeremy Bowen ‘She had something you call moral courage and it rubbed off on others’ – David Aaronovitch ‘She set the standard for bravery in many of the world’s nastiest places’ – John Fisher Burns, New York Times ‘She went to dangerous places to give a voice to people who otherwise would not be heard’ – Tony Hall, BBC Director General In 1973, Sue Lloyd-Roberts joined ITN as a news trainee and went on to be one of the UK's first video-journalists to report from the bleak outposts of the Soviet Union. Travelling as a tourist, she also gained access to some of the world’s most impenetrable places like China, Tibet and Burma. During her 40-year-long career she witnessed the worst atrocities inflicted on women across the world. But in observing first-hand the war on the female race she also documented their incredible determination to fight back. The War on Women brings to life the inconceivable and dangerous life Sue led. It tells the story of orphan Mary Merritt who, age sixteen, instead of being released from the care of nuns was interned by them in a Magdalen Laundry and forced to work twelve hours a day six days a week, without pay, for over a decade. She gives voice to Maimouna, the woman responsible for taking over her mother’s role as the village female circumciser in The Gambia and provides a platform for the 11-year-old Manemma, who was married off in Jaipur at the age of six. From the gender pay gap in Britain to forced marriage in Kashmir and from rape as a weapon of war to honour killings, Sue has examined humankind’s history and takes us on a journey to analyse the state of women’s lives today. Most importantly she acts as a mouthpiece for the brave ones; the ones who challenge wrongdoing; the ones who show courage no matter how afraid they are; the ones who are combatting violence across the globe; the ones who are fighting back. Sue sadly died in 2015, shortly after writing this book, today she is widely recognised as one of the most acclaimed television journalists of her generation. This book is the small tribute to the full and incredible life she lived and through it these women’s voices are still being heard.

In the riveting sequel to the feminist fantasy epic The Women's War, the ability to do magic has given women control over their own bodies. But as the patriarchy starts to fall, they must now learn to rule as women, not men. Alys may be the acknowledged queen of Women’s Well—the fledgling colony where women hold equal status with men—but she cares little for politics in the wake of an appalling personal tragedy. It is grief that drives her now. But the world continues to turn. In a distant realm unused to female rulers, Ellin struggles to maintain control. Meanwhile, the king of the island nation of Khalpar recruits an abbess who he thinks holds the key to reversing the spell that Alys’s mother gave her life to create. And back in Women’s Well, Alys’s own half brother is determined to bring her to heel. Unless these women can come together and embrace the true nature of female power, everything they have struggled to achieve may be at risk.

“Arrests the heart with its stunning exploration of women who are put through a kind of hell in their determination to find true love . . . extraordinary.” —Angie Cruz, author of Dominicana Finalist for the 2019 PEN/Faulkner Award for Fiction Finalist for the 2018 Foreword Reviews INDIES Award Best Book/Most Anticipated Book/Recommended Read of 2018: Cosmopolitan.com, The Root, Electric Literature, Bustle, Book Riot, PEN America, PopSugar, The Rumpus, B*tch, Remezcla, Mitú, and other publications. Puerto Rican girls are brought up to want one thing: true love. Yet they are raised by women whose lives are marked by broken promises, grief, and betrayal. While some believe that they’ll be the ones to finally make it work, others swear not to repeat cycles of violence. This collection documents how these “love wars” break out across generations as individuals find themselves caught in the crosshairs of romance, expectations, and community. “A tough smart dazzling debut by a tough smart dazzling writer. Ivelisse Rodriguez is a revelation.” —Junot Díaz, Pulitzer Prize-winning author of This Is How You Lose Her “[An] exceptional collection of short stories . . . Filled with memorable characters and sharp writing, this book will leave you breathless.” —Bustle “Rodriguez conceives exquisite misery and makes alchemy of hopelessness in her debut short story collection.” —Electric Literature “[A] perceptive exploration of love, heartbreak, and womanhood.” —The Seattle Review of Books “This reviewer kept returning to [these stories] for their freshness, urgency, and sheer heart.” —Library Journal “Throughout the collection, Rodriguez’s prose pulls you in, and her characters will stay with you even when the stories are only a few pages long.” —BUST “Both heartbreaking and insightful.” —Publishers Weekly “Stunning.” —MyDomaine

A young Jewish woman finds refuge from the terrors of WWII inside a Nazi birthing facility in this “gripping novel” set in war-torn Holland (Historical Novel Society). Cyrla's neighbors have begun to whisper. Her cousin, Anneke, is pregnant. And she’s eligible for admission to the Lebensborn: a German maternity home for girls carrying Aryan babies. But Anneke's love, a German soldier, has disappeared. And she knows that Lebensborn babies are either released to their father's custody—or taken away. Meanwhile, someone has discovered the truth of Cyrla’s identity. As a Polish Jew, she was sent to her Dutch relatives for safekeeping years ago. Now she must choose between certain discovery and posing as Anneke in the Lebensborn. But how can she take refuge in the enemy’s lair? Mining a lost piece of history, author Sara Young takes readers deep inside the Nazi Lebensborn program. An elegy for the terrible choices women must sometimes make to survive, My Enemy’s Cradle is also a story of finding love, hope, and humanity in the darkest of times.