"This joint biography tells the story of how a fashion model turned photographer and an English Quaker turned Surrealist painter and art collector influenced modern art with their vision and passion. As they inspired each other's careers and established their home as a meeting place for the exchange of ideas among artists such as Pablo Picasso, Man Ray, Max Ernst, Paul Eluard, Joan Miro, and Saul Steinberg, Miller and Penrose created a life together that was in itself a work of art. In the book concise accounts of their lives are followed by comparisons of their works, which demonstrate their symbiotic relationship. The range of art reproduced in the book - photographs, sketches, paintings, and collages - offers a kaleidoscopic sampling of these two important oeuvres and an exquisite portrayal of a unique and uniquely productive partnership."--Amazon.

First-hand account of a Surrealist artists' colony

Image based book on the Surrealist photography of Lee Miller. Essay of approx 7500 words by her son Antony Penrose included and extended captions supplied for 100 images.

“This is the most scholarly, accessible, and exciting writing on Lee Miller to date.” ---Anthony Penrose, Lee Miller Archives Lee Miller (1907--1977) was one of the most remarkable photographic artists of the 20th century. She created Surrealist-inspired photographs of haunting originality, portraits of genius, and daring war photographs. This unprecedented book brings together all of Miller’s major vintage prints for the first time, including sensational works never before published, rare and revealing drawings, selections from Miller’s writings as a war correspondent for Vogue magazine, and an extraordinary collage from 1937. Miller performed with unique success on both sides of the camera. A renowned beauty, she began her career being photographed as a fashion and fine art model by such luminaries as Arnold Genthe and Edward Steichen, stunning examples of which are included in this book. Miller moved to Paris in 1928, determined to take up photography; there she became the apprentice, collaborator, and muse of Man Ray. In the 1930s and ’40s, Miller shot remarkable portraits of such iconic figures as Marlene Dietrich, Charlie Chaplin, Pablo Picasso, and Salvador Dalí. Turning her Surrealist eye to unexpected photographic subjects, she earned major commissions from American and European fashion magazines and also became a respected photo-journalist. Miller’s startling images of the Dachau concentration camp are among the most powerful records of the Holocaust. Published in conjunction with the centenary of Miller’s birth, this beautifully designed and produced book is an essential survey of this fascinating woman’s life and career.

Beautiful, bewitching and an exceptionally good photographer, Lee Miller was one of lifes adventurers. She became a Vogue cover girl in 1920s New York before embracing Paris, photography and Surrealism, and then dramatically changed her life yet again, reinventing herself as a war correspondent, notably covering the liberation of Dachau. These are but three of the many lives of Lee Miller, intimately recorded here by her son, Antony Penrose. Featuring a selection of Millers finest work, including portraits of her friends Picasso, Tanning and Ernst, Penroses tribute to his mother brings to life a uniquely talented woman and the turbulent times in which she lived.

Lee Miller (1907-1977) moved to London in the late 1930s, just as a rich strand of Surrealist practice was burgeoning in Britain. Miller was central to its development and prolonged life after World War II, exhibiting alongside British Surrealists such as Eileen Agar and Henry Moore in often overlooked London exhibitions. This book is the first to present Lee Miller's photographs of, and collaborations with key British Surrealists alongside their artworks, to tell the story of this exciting cultural moment. Miller's photographs of noted continental Surrealists such as Max Ernst and E.L.T Mesens, taken while they were working and exhibiting in Britain, also feature alongside their works, documenting their enduring friendships with Miller and her husband, the artist Roland Penrose. Miller's interdisciplinary photographic practice acted as a conduit for the dispersal of Surrealist images out of the realm of fine art and into the worlds of fashion, commercial photography and journalism. A vital study for all students and enthusiasts of Surrealism and those enthralled by the enigmatic Lee Miller, this book reveals the social and cultural networks in which she was embedded, offering a holistic view of her work and the life of the Surrealist movement in Britain. Exhibition: The Hepworth, Wakefield, UK (22.06.-07.10.2018).