Set amongst the reggae scene of late 70s Jamaica, Rockers achieved instant cult status among music and cinema fans. Director Ted Bafaloukos has received many accolades for his work on the film, but the fact that he was also a fine writer and photographer is often overlooked. In We Are Rockers, his experiences in Jamaica and New York between 1975 and 1978 are paired with an invaluable collection of photographs taken during the writing and production of the film. Beyond reggae circles, this anthology offers an unparalleled snapshot of Jamaican cool.

Rockers! celebrates the biker style with panache and wit, showing how a love affair between bikes and speed became the original touchstone of a youth cult which continues to fascinate and endure, with its myths, magic and melancholy. In essence, and although they did not know it, rockers – with their raw edginess, studied cool and search for excitement, sex and violence – were icons. Rockers! achieves that rare marriage of immediacy and knowledge, through research and first-hand experience.

Hit songs, record deals, sexual adoration, private jets, stretch limos, and wealth: these are the trappings of musical success. But the pop stars living these seemingly glamorous lives are the exceptions in the music business and not the rule. Standing in the wings, just off stage and waiting, are those many talented and deserving musicians who just barley missed their big break. Lost Rockers is about those musicians who at one point in time were on the verge of success but who never quite "made it." Some of them were so close they could taste it, and others never had a chance. To become a star you need: talent, charisma, dedication, intelligence, energy, intensity, and a helluva lot of luck. These are all pieces in the puzzle--and for these lost rockers, the stars just didn't align quite right. But the dawn of the 21st century offers these unknowns a chance for redemption. With new technologies offering easier ways of finding and listening to music, these artists might just be discovered anew by a generation of fans eager to mine the past in hopes of discovering something fresh. Timed with the release of a documentary film of the same name, the latest collaboration between acclaimed writer Steven Blush and director Paul Rachman, Lost Rockers offers a compelling narrative connecting the lives of different musicians and their strangely similar adventures in the entertainment industry. All of these almost-famous musicians have gripping backstories; they've also recorded some powerful music that you won't believe you've never heard. In our nation, it's all about second chances, so let's start diggin' in the crates at flea markets, garage sales, thrift shops, and swap meets, and uncover the lost secrets of America's rich musical heritage.

Richard King's account of the several years he spent working in a Bristol independent record shop in the early 90s is destined to become a classic of music writing. We live in an age when the most beautiful of recording formats, vinyl, is back in vogue and thriving. In the early 90s, with the march of the cd and record company disinterest oin the format, vinyl was looking like an anachronism. And with its demise came the gradual erosion of a once beautiful and unique landscape known as the independent record shop. Richard King, author of How Soon is Now, blends memoir and elegiac music writing on the likes of Captain Beefheart, CAN and Julian Cope, to create a book that recalls the debauched glory days of the independent record shop. Chaotic, amateurish and extravagantly dysfunctional, this is a book full of rare personalities and rum stories. It is a book about landscape, place and the personal; the first piece of writing to treat the environment of the record shop as a natural resource with its own peculiar rhythms and anecdotal histories.

Hailed--and obsessively followed--by groups of passionate fans, ignored or derided by mainstream audiences, here are the musicians who, through their bizarre idiosyncrasies or their unique musical styles, have carved their own special niches in the rock pantheon. More than 200 profiles spotlight the Grateful Dead, Dead Kennedys, Phish, John Hiatt, Sonic Youth, Big Star, Blue Oyster Cult, and more. 75 photos.

SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZERoots, Radicals & Rockers: How Skiffle Changed the World is the first book to explore this phenomenon in depth - a meticulously researched and joyous account that explains how skiffle sparked a revolution that shaped pop music as we have come to know it. It's a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts. Billy traces how the guitar came to the forefront of music in the UK and led directly to the British Invasion of the US charts in the 1960s.Emerging from the trad-jazz clubs of the early '50s, skiffle was adopted by kids who growing up during the dreary, post-war rationing years. These were Britain's first teenagers, looking for a music of their own in a pop culture dominated by crooners and mediated by a stuffy BBC. Lonnie Donegan hit the charts in 1956 with a version of 'Rock Island Line' and soon sales of guitars rocketed from 5,000 to 250,000 a year. Like punk rock that would flourish two decades later, skiffle was a do-it-yourself music. All you needed were three guitar chords and you could form a group, with mates playing tea-chest bass and washboard as a rhythm section.

Musical floodgates were opened after the Beatles' first appearance on The Ed Sullivan Show on February 9, 1964. Suddenly, the U.S. record charts, radio, and television were overrun with British rock and pop musicians. Although this British Invasion was the first exposure many Americans had to popular music from the United Kingdom, British pop — and more specifically British rock and roll — had been developing since the middle of the 1950s. Author James Perone here chronicles the development of British rock, from the 1950s imitators of Elvis Presley and other American rockabilly artists, to the new blends of rockabilly, R&B, Motown, and electric blues that defined the British Invasion as we recognize it today. Die-hard fans of the Beatles, the Who, and the Kinks will all want a copy, as will anyone interested in the 1960s more generally. May 1964 saw major gang-style battles break out in British resort communities between the Mods and the Rockers. The tensions between the two groups had been developing for several years, with each group claiming their own sense of culture and style. The Mods wore designer clothing, rode Vespa motor scooters, and shared an affinity for black American soul music, while the Rockers favored powerful motorcycles, greased-back hair, and 1950s American rock and roll. It was within this context that the sounds of the British Invasion developed. Mods, Rockers, and the Music of the British Invasion chronicles the development of British rock through the iconic artists who inspired the movement, as well as through the bands who later found incredible success overseas. In addition to analyzing the music in the context of the British youth culture of the early 1960s, Perone analyzes the reasons that the British bands came to so thoroughly dominate the record charts and airwaves in the United States. The contributions of Cliff Richard, Billy Fury, Johnny Kidd and the Pirates, Tommy Steele, the Tornados, Tony Sheridan, Blues Incorporated, and others to the development of British rock and roll are examined, as are the contributions and commercial and artistic impact of major British Invasion artists such as the Beatles, the Rolling Stones, the Dave Clark Five, the Yardbirds, Manfred Mann, the Who, the Kinks, and others. After investigating these groups and their influences upon one another, Perone concludes by examining the commercial and stylistic impact British rock musicians had on the American music of the time.