DIVA collection of interdisciplinary essays examining the ever-changing communities and discussions connected to American popular music./div

This collection brings new voices and new perspectives to the study of popular—and particularly rock—music. Focusing on a variety of artists and music forms, Rock Over the Edge asks what happens to rock criticism when rock is no longer a coherent concept. To work toward an answer, contributors investigate previously neglected genres and styles, such as “lo fi,” alternative country, and “rock en español,” while offering a fresh look at such familiar figures as Elvis Presley, the Beatles, and Kurt Cobain. Bridging the disciplines of musicology and cultural studies, the collection has two primary goals: to seek out a language for talking about music culture and to look at the relationship of music to culture in general. The editors’ introduction provides a backward glance at recent rock criticism and also looks to the future of the rapidly expanding discipline of popular music studies. Taking seriously the implications of critical theory for the study of non-literary aesthetic endeavors, the volume also addresses such issues as the affective power of popular music and the psychic construction of fandom. Rock Over the Edge will appeal to scholars and students in popular music studies and American Studies as well as general readers interested in popular music. Contributors. Ian Balfour, Roger Beebe, Michael Coyle, Robert Fink, Denise Fulbrook, Tony Grajeda, Lawrence Grossberg, Trent Hill, Josh Kun, Jason Middleton, Lisa Ann Parks, Ben Saunders, John J. Sheinbaum, Gayle Wald, Warren Zanes

Hailed as a classic of speculative fiction, Marge Piercy’s landmark novel is a transformative vision of two futures—and what it takes to will one or the other into reality. Harrowing and prescient, Woman on the Edge of Time speaks to a new generation on whom these choices weigh more heavily than ever before. Connie Ramos is a Mexican American woman living on the streets of New York. Once ambitious and proud, she has lost her child, her husband, her dignity—and now they want to take her sanity. After being unjustly committed to a mental institution, Connie is contacted by an envoy from the year 2137, who shows her a time of sexual and racial equality, environmental purity, and unprecedented self-actualization. But Connie also bears witness to another potential outcome: a society of grotesque exploitation in which the barrier between person and commodity has finally been eroded. One will become our world. And Connie herself may strike the decisive blow. Praise for Woman on the Edge of Time “This is one of those rare novels that leave us different people at the end than we were at the beginning. Whether you are reading Marge Piercy’s great work again or for the first time, it will remind you that we are creating the future with every choice we make.”—Gloria Steinem “An ambitious, unusual novel about the possibilities for moral courage in contemporary society.”—The Philadelphia Inquirer “A stunning, even astonishing novel . . . marvelous and compelling.”—Publishers Weekly “Connie Ramos’s world is cuttingly real.”—Newsweek “Absorbing and exciting.”—The New York Times Book Review

Recounting the adventures of seven decades, Jim Whittaker claims he is a man blessed often by fortune. Yet his is a life of both planned ascents and unplanned falls, in the mountains and in the world of business, and in his personal life. He believes in rising above life's reverses.

Journalist Aaron Smith's new memoir holds up a unique mirror to Australia. What he sees is at once amazing, disturbing and revealing. The Rock explores the failings of our nation's character, its unresolved past and its uncertain future from the vantage point of its most northerly outpost, Thursday Island. Smith was the last editor, fearless journalist and the paperboy of Australia's most northerly newspaper, the Torres News, a small independent regional tabloid that, until it folded in late 2019, was the voice of a predominantly Torres Strait Islander and Aboriginal readership for 63 years across some of the most remote and little understood communities in Australia. The Rock is a story of self-discovery where Smith grapples to understand a national identity marred by its racist underbelly, where he is transplanted from his white-boy privileged suburban life to being a racial and cultural minority, and an outsider. Peppered with his experiences, Smith gradually and sensitively becomes embedded in island life while vividly capturing the endless and often farcical parade of personalities and politicians including Scott Morrison and Tony Abbott. Smith pulls no punches while he reflects on the history of Terra Australis incognita, dissecting what is truly Australia, and its gaping cultural and moral divide. 'A credit to regional journalism, Aaron carried on the fine tradition of the Torres News holding governments to account and telling stories of everyday life in the Straits, never shying away from controversies, lifting all the rocks and even out foxing prime minister Tony Abbott on his visit to Mabo's grave.' — Stefan Armbruster, SBS 'Aaron Smith makes a huge and extremely valuable contribution to journalism in Australia. With insight and committment he brings issues of national and international significance to audiences in Australia and beyond.' — Dr Tess Newton Cain, Griffith Asia Institute 'Aaron's journalism has provided a rare and valuable insight into issues affecting the Torres Strait Islander community. Navigating cultural protocols and geographical challenges, he has given a voice to some of Australia's most marginalised people and shared important stories that would otherwise have gone unheard.' — Ella Archibald-Binge, Sydney Morning Herald

CLOSE TO THE EDGE: HOW YES' MASTERPIECE DEFINED PROG ROCK