This title tells the story of James Pulham & Son, the eminent family of Victorian and Edwardian landscape artists who specialised in the construction of picturesque rock gardens, ferneries, follies and grottes. The book covers more than four generations of the family business that was responsible for terracotta garden ornaments.

High above the noise and traffic of metropolitan Phoenix, Native American rock art offers mute testimony that another civilization once thrived in the Arizona desert. In the city's South Mountains, prehispanic peoples pecked thousands of images into the mountains' boulders and outcroppings—images that today's hikers can encounter with every bend in the trail. Todd Bostwick, an archaeologist who has studied the Hohokam for more than twenty years, and Peter Krocek, a professional photographer with a passion for archaeology, have combed the South Mountains to locate nearly all of the ancient petroglyphs found in the canyons and ridges. Their years of learning the landscape and investigating the ancient designs have resulted in a book that explores this wealth of prehistoric rock art within its natural and cultural contexts, revealing what these carvings might mean, how they got there, and when they were made. Landscape of the Spirits is the first book to cover these ancient images and is one of the most comprehensive treatments of a rock art location ever published. It conveys the range of different rock art elements and compositions found in the South Mountains—animals, humans, and geometric shapes, as well as celestial and calendrical markings at key sites—through accurate descriptions, drawings, and photographs. Interpretations of the petroglyphs are based on Native American ethnographic accounts and consider the most recent theories concerning shamanism and archaeoastronomy. Written in a simple and accessible style, Landscape of the Spirits is an indispensable volume for anyone exploring the South Mountains, and for rock art enthusiasts everywhere who wish to broaden their understanding of the prehistoric world. It is both an authoritative overview of these ancient wonders and an unprecedented benchmark in southwestern rock art research at a single geographic location.

Table of Contents A Beginner’s Guide to Rock Gardens Introduction Wrong Way Of Placing Rocks The Right Way to Place Rock Stones Good Rock Work- Flat Ground Wall Stones on Slopes Choosing the Best Soil Building Your Rock Garden Planting Your Rock Plants Maintenance Conifers Bulbs List of Rock Plants, depending on the Particular Conditions and Places Rock Plants For Walls Crazy paving plants – Conclusion Author Bio Publisher Introduction Rock gardens have been part of landscaping and gardening lore for millenniums. In the East Japanese rock gardens or Zen gardens have been places where people could meditate in serene and harmonious surroundings. Why are more people designing their own gardens incorporating at least one rock garden in the design? Even if the rock garden is quite small, it is going to add a touch of distinction to the landscaping of your garden. In Japan, rock gardens were normally built as dry landscape gardens, where a number of landscapes were made up of natural compositions made from natural products incorporated into a landscape. These natural items included bushes, trees, Moss, water, rocks and sand. One believes that the concept of rock gardening originated in China, especially when the ancient religion of Shintoism spoke about places of harmony where one could commune with nature and the spirit in serenity. These were normally made in monasteries, where they could be seen from one focal point, like say the porch of the head priest of the monastery. These dry Landscape gardens which you call a Zen garden in Japan were built to be seen from one viewpoint, with the walling closed around it in ancient times. Nowadays they stretch on for miles incorporating all the natural features available and present in the area to make up harmonious surroundings. Japanese Zen gardens go back to 784 BC. Chinese gardens have been around for even longer. The incorporation of gravel and white sand in a Zen or rock garden was an important feature. These were the symbol of distance, emptiness, purity, white space and water. All these symbols were supposed to aid in meditation. White sand and gravel used harmoniously together were also used around temples, shrines and palaces.

Social and behavioral scientists study religion or spirituality in various ways and have defined and approached the subject from different perspectives. In cultural anthropology and archaeology the understanding of what constitutes religion involves beliefs, oral traditions, practices and rituals, as well as the related material culture including artifacts, landscapes, structural features and visual representations like rock art. Researchers work to understand religious thoughts and actions that prompted their creation distinct from those created for economic, political, or social purposes. Rock art landscapes convey knowledge about sacred and spiritual ecology from generation to generation. Contributors to this global view detail how rock art can be employed to address issues regarding past dynamic interplays of religions and spiritual elements. Studies from a number of different cultural areas and time periods explore how rock art engages the emotions, materializes thoughts and actions and reflects religious organization as it intersects with sociopolitical cultural systems.

AHS Book Award winner Rock gardening —the art of growing alpines and other miniature plants in the company of rocks in order to recreate the look of a rugged mountaintop—has been surging in popularity. Time and space constraints, chronic drought in the American West, and a trend toward architectural plants are just a few of the reasons for the increased interest. Rock Gardening brings this traditional style to a new generation of gardeners. It includes a survey of gorgeous rock gardens from around the world, the techniques and methods specific to creating and maintaining a rock garden, and profiles of the top 50 rock garden plants.

Restoring Disturbed Landscapes is a hands-on guide for individuals and groups seeking to improve the functional capacity of landscapes. Abundantly illustrated with photos and figures, Restoring Disturbed Landscapes is an engaging and accessible work designed specifically for restoration practitioners with limited training or experience in the field. It uses a five-step adaptive procedure to tell restorationists where to start, what information they need to acquire, and how to apply this information to their specific situations. Cosponsored by the Society for Ecological Restoration International and Island Press, this series offers a foundation of practical knowledge and scientific insight that will help ecological restoration become the powerful reparative and healing tool that the world needs

Geomorphology can be defined simply as the study of landforms. Landforms are the result of the interaction between what Ritter (1978) has called the driving and resisting forces. The driving forces or processes are the methods by which energy is exerted on earth materials and include both surface, geomorphological or exogenous processes and subsurface, geological or endogenous processes. The resisting forces are the surface materials with their inherent resistances determined by a complex combination of rock properties. Stated in these simple terms it would be expected that both sides of the equation be given equal weight in syntheses of landform evolution. However, this has not been the case. Until about the 1950s, geomorphology was mainly descriptive and concerned with producing time-dependent models of landscape evolution. Although the form of the land was the main focus, there was little detailed mention of process and scant attention to the properties of surface materials. There were, of course, exceptions. In the late 19th century G.K. Gilbert was stressing the equilibrium between landforms and processes. Many hydrologists were examining the detailed workings of river 'systems and drainage basins, culminating in the classic paper of Horton (1945).