Text by Vince Aletti, Jon Savage.

The Ultimate Trainspotter's Guide to Underground Rock, 1970-1982

Diary written during a five-week American tour in November and December of 1972.

"Before he was a Rolling Stone, a Face, or a member of the Jeff Beck Group, Ronnie Wood flew the nest aged just 17 with his first band, the Birds. Featuring cameos by legends such as Eric Clapton, Jimmy Page, Rod Stewart, and Pete Townshend, Ronnie's adventures on the road to superstardom were handwritten in his private diary of 1965. Now, celebrating 50 years in rock 'n' roll, Ronnie Wood guides us through the pages of his rediscovered journal. With his ... new commentary, hand-drawn illustrations, and rare photos and memorabilia, Ronnie's trip through the sixties is introduced by his Stones bandmate Charlie Watts"--Jacket back.

The life and career of Haitian American musician Jean Beauvoir, a member of the legendary New York City punk band the Plasmatics Jean Beauvoir joined the Plasmatics in 1979, playing bass and keyboards for the most notorious band to emerge out of the New York City punk scene. By 1982, he was a member of Little Steven and the Disciples of Soul, a retro-rock revival act headed by Steven Van Zandt. The Disciples of Soul videos played on MTV during the network's earliest years, making Beauvoir one of the first Black recording artists to cross the start-up music channel's "color line." Beauvoir went on to become a multi-platinum artist, producer, and songwriter. Bet My Soul on Rock 'n' Roll follows his ride through the American music industry, detailing his encounters with rock stars such as Bruce Springsteen, Paul Stanley, Gene Simmons, and Lita Ford, as well as the actor Sylvester Stallone, the billionaire executive Richard Branson, and even Donald Trump. Beauvoir also considers the manner in which his Haitian heritage has shaped his public image, his music, and his role as an activist for the dispossessed and the poor. Beauvoir's collaborations—and stories—span genres, including work with KISS, Debbie Harry, Lionel Richie, and the Ramones

Included on the Society of Developmental and Behavioral Pediatrics's recommended resource list

The author was a college student in California during the '60s, heyday of psychedelia, then moved on to Swinging London and photographed such supergroups as the Beatles, the Rolling Stones and the Who. His sensitive memoir of those years evokes vividlythe essence of a generation that "welcomed Mr. Fantasy into our lives with a sense of joy and celebration.'' Although Russell acknowledges that many people were burned out by the '60s (indeed, he knew some of the famous casualties), he nevertheless believes that the personal and social changes spawned by that turbulent decade were necessary. ``In retrospect, people often seem embarrassed by that time,'' he writes. "But, really, so much was accomplished.'' Russell tells many entertaining stories about working with the artistocracy of rock; his anecdotes unite with more than 300 of his splendid photographs to create a detailed history of an extraordinary period in popular musicand to pay eloquent tribute to "the spirit that moved us all.'' October 29 -Publishers Weekly.