An Edinburgh Classic edition to commemorate the 700th anniversary of the Battle of Bannockburn in 1314

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.

Robert the Bruce (1274-1329) was the famous unifier of Scotland and defeater of the English at Bannockburn - the legendary hero responsible for Scottish independence. Michael Penman retells the story of Robert's rise - his part in William Wallace's revolt against Edward I, his seizing of the Scottish throne after murdering his great rival John Comyn, his excommunication, and devastating battles against an enemy Scottish coalition - climaxing in his victory over Edward II's forces in June 1314. He then draws attention to the second part of the king's life after the victory that made his name.

This volume aims to critically examine the bad reputation gained by the Comyns in post-Bruce Scotland. The name Comyn has long been associated in Scottish tradition with treachery: the family were involved in the infamous kidnapping of the young Alexaner III in 1257, were accused of treachery against William Wallace at the Battle of Falkirk in 1298, and of betraying Robert Bruce to Edward I of England 1306. This reappraisal of the Comyns' role concludes that the period 1212 to 1314 should be regarded as the Comyn century in Scottish history.

Fresh approaches to one of the most important poems from medieval Scotland. John Barbour's Bruce, an account of the deeds of Robert I of Scotland (1306-29) and his companions during the so-called wars of independence between England and Scotland, is an important and complicated text. Composed c.1375 during the reign of Robert's grandson, Robert II, the first Stewart king of Scotland (1371-90), the poem represents the earliest surviving complete literary work of any length produced in "Inglis" in late medieval Scotland, andis usually regarded as the starting point for any worthwhile discussion of the language and literature of Early Scots. It has also been used as an essential "historical" source for the career and character of that iconic monarch Robert I. But its narrative defies easy categorisation, and has been variously interpreted as a romance, a verse history, an epic or a chivalric biography. This collection re-assesses the form and purpose of Barbour's great poem. It considers the poem from a variety of perspectives, re-examining the literary, historical, cultural and intellectual contexts in which it was produced, and offering important new insights. Steve Boardman is a Reader in History at the University of Edinburgh. Susan Foran, currently an independent scholar, researches chivalry, war and the idea of nation in late medieval historical writing. Contributors: Steve Boardman, Dauvit Broun, Michael Brown, Susan Foran, Chris Given-Wilson, Theo van Heijnsbergen, Rhiannon Purdie, Biörn Tjällén, Diana B. Tyson, Emily Wingfield.