Soon to be an original streaming series on Hulu! "Fun, sexy and unputdownable--a classic." --Marian Keyes "Flawlessly entertaining." --Helen Fielding "Joyful and mischievous." --Jojo Moyes Fleabag meets Succession as rival TV execs bid for the local franchise in this exuberant romp filled with drama, steam, and comedy. Into the cut-throat world of Corinium television comes Declan O'Hara, a mega-star of great glamour and integrity with a radiant feckless wife, a handsome son and two ravishing teenage daughters. Living rather too closely across the valley is Rupert Campbell-Black, divorced and as dissolute as ever, and now the Tory Minister for Sport. Declan needs only a few days at Corinium to realise that the Managing Director, Lord Baddingham, is a crook who has recruited him merely to help retain the franchise for Corinium. Baddingham has also enticed Cameron Cook, a gorgeous but domineering woman executive, to produce Declan's programme. Declan and Cameron detest each other, provoking a storm of controversy into which Rupert plunges with his usual abandon. As a rival group emerges to pitch for the franchise, reputations ripen and decline, true love blossoms and burns, marriages are made and shattered, and sex raises its (delicious) head at almost every throw as, in bed and boardroom, the race is on to capture the Cotswold Crown.

Lightning McQueen takes on international racing sensation Francesco Bernoulli.

Asher Henderson. Captain of the Highnam Academy football team, and the bane of my existence. As Alstone High's team captain, I've been pitted against him from the beginning, but our conflict isn't only reserved for the pitch. Everyone knows we're enemies. From our first encounter, our rivalry has been escalating, spiralling out of control. Until one night when everything between us changed. He pushed me too far, and we crossed a line that should never have been crossed. Now, I can't get him out of my head. Can we ever be more than rivals, or are there too many obstacles in our way? One thing I know for sure. Things between us will never be the same again. Savage Rivals is a standalone M/M new adult high school romance with enemies to lovers and bi awakening themes. This book contains mature situations and content. *Originally included in the Brutal Boys on Devils Night collection. This edition of Savage Rivals has been expanded with additional content.

Cooperstown! Josh is thrilled when all his hard training pays off in a big way and his team, the Titans, makes it to a national tournament in Cooperstown, home of the National Baseball Hall of Fame. More is on the line for Josh than just a trophy. Winning would mean everything to his dad—now Josh's coach. Winning could mean a major endorsement deal for the Titans and the attention of big league scouts! After a dirty play and a brutal injury threaten to sideline Josh, he spies suspicious activity at the tournament. He tries to tell his good friend Jaden about what he's seen, but she's too busy spending time with the L.A. Comets' star player, Mickey Mullen Jr., to want to get involved. Jaden says she's doing research for the newspaper . . . but is she? Now Josh has a rival—both on the field and off—as he swings for the fences in a game that quickly becomes more dangerous. New York Times bestselling author Tim Green delivers a hard-hitting look at what some teams will do to win in this gripping companion to Baseball Great.

Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.