Two women - and the workings of Time and Fate. In a time too long ago for most human memory, a god asked Mara what she most wanted. She got her wish: to protect the weak against the strong. For millennia, she has avenged that god, and her dead sisters, against anyone who uses the Rituals of Blood to become a god through mass murder. And there are few who can stand against her. A sudden shocking incident proves to Emma that the modern world is not what she thought it was, that there are demons and gods and elves and vampires. Her weapon is knowledge, and she pursues it wherever it leads her. The one thing she does not know is who she - and her ghostly lover, Caroline - are working for. RHAPSODY OF BLOOD is a four-part epic fantasy not quite like anything you've read before: a helter-skelter ride through history and legend, from Tenochitlan to Los Angeles, from Atlantis to London. It is a story of death, love and the end of worlds - and of dangerous, witty women.

This collection brings together interviews with a compelling range of musicians, artists, and activists from around the globe. What does it mean for an artist to be “political”? Moving away from a narrow idea about politics that is organized around elections, advocacy groups, or concrete manifestos, the subjects of Creative Activism do their work through song, poetry, painting, and other arts. The interviews take us from Oakland to London to Johannesburg and from the Occupy movement to the coal mines of Appalachia to the fantasy worlds created by some of our most fascinating writers of spectacular fiction. Listening to the important “cultural workers” of our time challenges any idea that some other time was the golden age of political art: Creative Activism gives us a front-row seat to the thrilling artistic activism of our own moment.

An elderly caretaker at a large outdoor exhibition, called Art in Nature, finds that a couple have lingered on to bicker about the value of a picture; he has a surprising suggestion that will resolve both their row and his own ambivalence about the art market. A draughtsman's obsession with drawing locomotives provides a dark twist to a love story. A cartoonist takes over the work of a colleague who has suffered a nervous breakdown only to discover that his own sanity is in danger. In these witty, sharp, often disquieting stories, Tove Jansson reveals the fault-lines in our relationship with art, both as artists and as consumers. Obsession, ambition, and the discouragement of critics are all brought into focus in these wise and cautionary tales.

Assigned to investigate a series of deaths of magic practitioners, all of whom lacked the ability to become full-fledged wizards, professional Chicago wizard Harry Dresden is shocked when the evidence points to his half-brother Thomas as the killer, until he uncovers a conspiracy within the White Council of Wizards that threatens both him and his family. 100,000 first printing.

A compelling look at teen films' reflection of the American Dream

NEW YORK TIMES BESTSELLER • A NEW YORK TIMES BOOK REVIEW AND ECONOMIST BEST BOOK OF THE YEAR “A deeply reported, deeply personal history of Zionism and Israel that does something few books even attempt: It balances the strength and weakness, the idealism and the brutality, the hope and the horror, that has always been at Zionism’s heart.”—Ezra Klein, The New York Times Winner of the Natan Book Award, the National Jewish Book Award, and the Anisfield-Wolf Book Award Ari Shavit’s riveting work, now updated with new material, draws on historical documents, interviews, and private diaries and letters, as well as his own family’s story, to create a narrative larger than the sum of its parts: both personal and of profound historical dimension. As he examines the complexities and contradictions of the Israeli condition, Shavit asks difficult but important questions: Why did Israel come to be? How did it come to be? Can it survive? Culminating with an analysis of the issues and threats that Israel is facing, My Promised Land uses the defining events of the past to shed new light on the present. Shavit’s analysis of Israeli history provides a landmark portrait of a small, vibrant country living on the edge, whose identity and presence play a crucial role in today’s global political landscape.

Lewis Rand is a poor boy of the early 1800's. His father is a tobacco farmer and is totally against "book larnin'", but Lewis manages to educate himself.