This book presents readers with scholarship on public celebrations and popular culture throughout Mexican history. Leading scholars from the Americas and Great Britain discuss aspects of Mexico's popular culture from the seventeenth century to the present. The vast range of Mexican expression is examined, including Corpus Christi celebrations, New Spain, stone murals, and folk theater. Filling a need that becomes ever more pressing, this volume provides fresh insights.

(Meredith Music Percussion). This two-volume publication provides guidelines on percussion player and instrument requirements for over 2,000 concert band and wind ensemble works. It contains helpful information for conductors, section leaders, stage managers, equipment managers and ensemble librarians. An incredible compilation for school, college, military, community and professional bands and wind ensembles. (a href="http://youtu.be/OVqEyKf5JnU" target="_blank")Click here for a YouTube video on Percussion Assignments for Band and Wind Ensemble(/a)

As part of the mission of The Donald Hunsberger Wind Library, the 1994 hardcover edition (University of Rochester Press) of The Wind Ensemble and Its Repertoire has now been published in a paperback edition. This compendium of research includes "must have" information on the history and execution of the wind ensemble repertoire.

The book provides a historical survey of the wind band’s music and denotes how historical and cultural developments have influenced it over the course of time. Although the modern wind band developed first in the 19th century, it has its roots in the wind music of ancient times, and music survives that has been composed since the Middle Ages. Therefore, this book covers the music from that time to the present, including the dance music of the Renaissance, the Harmoniemusik of the Classical Period, and the nationalistic music of the Romantic Period, as well as the major wind band repertoire developed after 1900.

Arguments on the hierarchy of the cultivated tradition's values and those of the vernacular tradition emerge in mid-nineteenth century American society. Departures from long established potpourri programming practices whereby the cultivated and vernacular traditions coexist arise in the middle and late twentieth century. Still, wind band conductors adapt and sustain potpourri programming concepts into the twenty-first century, fostering compositions that meld varied traditions. Reasons for these reactions and responses are discussed.