This book provides an understanding of the complexities of political legitimacy in Islamic dynasties by examining Fatimid political culture in Egypt reconstructed from court rituals. The author approaches ritual as a dynamic process through which claims to political and religious authority in Islamic societies are articulated, and in which complex negotiations of power have taken place.

This book provides an understanding of the complexities of political legitimacy in Islamic dynasties by examining Fatimid political culture in Egypt reconstructed from court rituals. The author approaches ritual as a dynamic process through which claims to political and religious authority in Islamic societies was articulated, and in which complex negotiations of power have taken place.

"Based on papers given at the conference 'Imagining the City' held in Cambridge in 2004"--P. [4] of cover, v. 1.

A riveting exploration of how the Fatimid dynasty carefully orchestrated an architectural program that proclaimed their legitimacy This groundbreaking study investigates the early architecture of the Fatimids, an Ismaili Shi‘i Muslim dynasty that dominated the Mediterranean world from the 10th to the 12th century. This period, considered a golden age of multicultural and interfaith tolerance, witnessed the construction of iconic structures, including Cairo’s al-Azhar and al-Hakim mosques and crucial renovations to Jerusalem’s Dome of the Rock and Aqsa Mosque. However, it also featured large-scale destruction of churches under the notorious reign of al-Hakim bi-Amr Allah, most notably the Church of the Holy Sepulcher in Jerusalem. Jennifer A. Pruitt offers a new interpretation of these and other key moments in the history of Islamic architecture, using newly available medieval primary sources by Ismaili writers and rarely considered Arabic Christian sources. Building the Caliphate contextualizes early Fatimid architecture within the wider Mediterranean and Islamic world and demonstrates how rulers manipulated architectural form and urban topographies to express political legitimacy on a global stage.

Publicly performed rituals and ceremonies form an essential part of medieval political practice and court culture. This applies not only to western feudal societies, but also to the linguistically and culturally highly diversified environment of Byzantium and the Mediterranean basin. The continuity of Roman traditions and cross-fertilization between various influences originating from Constantinople, Armenia, the Arab-Muslim World, and western kingdoms and naval powers provide the framework for a distinct sphere of ritual expression and ceremonial performance. This collective volume, placing Byzantium into a comparative perspective between East and West, examines transformative processes from Late Antiquity to the Middle Ages, succession procedures in different political contexts, phenomena of cross-cultural appropriation and exchange, and the representation of rituals in art and literature. Contributors are Maria Kantirea, Martin Hinterberger, Walter Pohl, Andrew Marsham, Björn Weiler, Eric J. Hanne, Antonia Giannouli, Jo Van Steenbergen, Stefan Burkhardt, Ioanna Rapti, Jonathan Shepard, Panagiotis Agapitos, Henry Maguire, Christine Angelidi and Margaret Mullett.

This book focuses on the conceptualization of the court, palace and ruler of the Umayyad Caliphate of al-Andalus. Western terminology still plays a normative role in the representation of foreign courts, determining concepts that fit poorly into chronologies with their own dynamics and specificities, which is the case of Muslim courts. While Court Studies is a well-developed field for modern Western societies, Muslim medieval courts lack a consistent field of research. Sources elaborate a specific terminology for medieval Muslim court societies. In the specific case of the Umayyad Caliphate of al-Andalus, the court is usually articulated as Bāb Suddat al-Khalīfa (“The door of the Sudda of the caliph”) – a reference to the symbology of the main city gate of Cordoba – or simply as Bāb. Bāb Suddat al-Khalīfa became the most emblematic concept to name the Umayyad palace and its society, which will be additionally interpreted in the framework of the performance of ceremonial. The strong conceptualization of the Umayyad court of Cordoba was highlighted through the articulation of ceremonial, as the mis-en-scène of the conceptualization, expressed by gestures, insignia and hierarchies. The preliminary comparative perspective with the Umayyad Caliphate of Damascus, the ‘Abbasid and Fatimid Caliphates and the Byzantine Empire further discusses the Umayyad Andalusi model in relation to other dynasties. While this book focuses on the Umayyad conceptualization and articulation of ceremonial, this model will be discussed within the Mediterranean and Eastern framework of the 10th and 11th centuries, which broadens the interest of the book to other fields of research.