Rites of Passage, Liminality, and Community in Octavia E. Butler’s Science Fiction Novels explores the ways in which Octavia Butler’s liminal protagonists undergo ritualized transformations while in exile from their home communities. During this process, they engage in psychological, physical, political, and social transitions through what Victor Turner and Makhail Bakhtin describe as carnivalesque identities. Using postcolonial, feminist, anti-capitalist, and African American theorists, Lin Knutson examines how Butler’s imagined genesis and history carry echoes of American history, slave history, debt slavery, and colonization.

The first collection of interviews with the Nebula and Hugo Award-winning author of Kindred, Parable of the Sower, Fledgling, and Bloodchild

Drawing on two and a half years of field work, Victor Turner offers two thorough ethnographic studies of Ndembu revelatory ritual and divinatory techniques, with running commentaries on symbolism by a variety of Ndembu informants. Although previously published, these essays have not been readily available since their appearance more than a dozen years ago. Striking a personal note in a new introductory chapter, Professor Turner acknowledges his indebtedness to Ndembu ritualists for alerting him to the theoretical relevance of symbolic action in understanding human societies. He believes that ritual symbols, like botanists' stains, enable us to detect and trace the movement of social processes and relationships that often lie below the level of direct observation.

Human Contradictions in Octavia Butler’s Work continues the critical discussions of Butler’s work by offering a variety of theoretical perspectives and approaches to Butler’s text. This collection contains original essays that engage Butler’s series (Seed to Harvest, Xenogenesis, Parables), her stand-alone novels (Kindred and Fledgling), and her short stories. The essays explore new facets of Butler’s work and its relevance to philosophy, sociology, anthropology, psychology, cultural studies, ethnic studies, women’s studies, religious studies, American studies, and U.S. history. The volume establishes new ways of reading this seminal figure in African American literature, science fiction, feminism, and popular culture.

In the twenty years following Victor Turner's death, interventions on the interconnected performance modes of play, drama, and community (dimensions of which Turner deemed the limen), and experimental and analytical forays into the anthropologies of experience and consciousness, have complemented and extended Turnerian readings on the moments and sites of culture's becoming. Examining Turner's continued relevance in performance and popular culture, pilgrimage and communitas, as well as Edith Turner's role, the contributors reflect on the wide application of Victor Turner's thought to cultural performance in the early twenty-first century and explore how Turner's ideas have been re-engaged, renovated, and repurposed in studies of contemporary cultural performance.

A perfect introduction for new readers and a must-have for avid fans, this New York Times Notable Book includes "Bloodchild," winner of both the Hugo and the Nebula awards and "Speech Sounds," winner of the Hugo Award. Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability—and responsibility—to save humanity from itself? Like all of Octavia Butler’s best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature’s strongest voices.