THE FUTURE IS HERE. India has just sent its first spacecraft to the moon, and the placid city of Mysore is gearing up for its own global recognition with the construction of HeritageLand—Asia’s largest theme park. From behind the formidable gates of Mahalakshmi Gardens to the shanty houses on the edge of town, the people of Mysore are abuzz as they watch their city prepare for a complete transformation. As government officials make plans for the expected tourism extravaganza, Mysore’s residents find themselves swept up in the ferment. Susheela, an elderly widow, is forced into a secretive new life. Uma, trying to escape her painful past, learns the lasting power of local gossip. And Mala must finally confront the reality of her husband’s troubling behaviour. Savagely funny and deeply poignant, The Smoke Is Rising is a riveting portrait of a city hurtling towards an epic clash of modernity and tradition, and all the wandering souls—some hopeful, some broken, and a few somewhere in between—who find themselves caught in the middle.

Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals’s universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood’s long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne’s work foregrounds the voices of the filmmakers and performers—in interviews with Alexie and director Chris Eyre, among others—to explore the film’s audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers’ appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film’s text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark.

A sensational new series from the bestselling creator of The Darkslayer and The Chronicles of Dragon.The unexpected begins ...Agent Sidney Shaw is one of the FBI's finest. Tough as nails with a calculating mind, she thought she was ready for anything.Enter John Smoke. His spirited arrest methods landed him hard time in prison. The decorated veteran, now branded an ex-con, just wants to serve his time in peace. The powers that be have other plans.When Sidney is assigned to be Smoke's handler, both of their lives are turned upside down. She plays by the rules. He trusts his instincts. Fighting to control him, she finds herself chasing him down a secret, dark, supernatural path where a vast criminal network rears its head in the heart of Washington, D.C.

A cross-cultural romance between an American Indian and a white woman. The heroine is Dr. Meggie O'Connor, a psychologist who studied under an Indian medicine woman who brought them together, even though the Indian is married. By the author of Winona's Web.

THE STORY: Out with the old and in with the new. Across college campuses in the '70s, teachers and students engaged in a battle of their own--making education relevant. OFFICE HOURS tackles the Great Books curriculum and puts dead white men to the t

"You look like hell," gasped a woman on TV to a disheveled man. What did she mean? What did she think hell looked like? What did the term hell contribute to her portrait? This is an example of the widespread trivializing of a once-powerful term to depict eternal damnation to mere minutia. Why does God damn the wicked to eternal punishment? Or does He? How is His judgment just? Why and how do theologians strive to modify the results of his judgment? How are we to evaluate views of hell that either soften or deny it? The doctrine of punishment of the unredeemed after death originates in the Old Testament, is developed in the intertestamental Jewish literature, and culminates in the divinely authoritative New Testament doctrine of hell. How can people avoid that dreadful fate? If they should escape from it, what should they then do? What is involved in their saving others "by snatching them out of the fire" (Jude 23)? How does the deliverance from eternal punishment enhance our appreciation of what Jesus Christ accomplished on the cross? What effect should it have on our Christian witness? Distinctive contributions include: (1) a careful exegesis of key biblical texts, containing a thorough analysis of the doctrine of hell, (2) a rationale of God's punishment of the unredeemed, (3) examination of the tours of hell genre, (4) biblical and historical theological themes of witness and evangelism, (5) ramifications of eternal damnation of the unsaved in terms of the urgency of witness.

Smokescreen cuts through years of misunderstanding and misdirection to make an impassioned, evidence-based argument for a new era of forest management for the sake of the planet and the human race. Natural fires are as essential as sun and rain in fire-adapted forests, but as humans encroach on wild spaces, fear, arrogance, and greed have shaped the way that people view these regenerative events and given rise to misinformation that threatens whole ecosystems as well as humanity's chances of overcoming the climate crisis. Scientist and activist Chad T. Hanson explains how natural alarm over wildfire has been marshaled to advance corporate and political agendas, notably those of the logging industry. He also shows that, in stark contrast to the fear-driven narrative around these events, contemporary research has demonstrated that forests in the United States, North America, and around the world have a significant deficit of fire. Forest fires, including the largest ones, can create extraordinarily important and rich wildlife habitats as long as they are not subjected to postfire logging. Smokescreen confronts the devastating cost of current policies and practices head-on and ultimately offers a hopeful vision and practical suggestions for the future—one in which both communities and the climate are protected and fires are understood as a natural and necessary force.